YouSaid · the spoken record

Miguel Cervantes

lines on the record: 79
first: 2019-01-14
most recent: 2019-01-14
sittings or episodes: 1
sources: podcast

Every line below is reproduced as it was said and linked to the record it came from. Nothing here is summarised or generated. Directory · Search · Corrections

“Heroic beyond words Way that she has accepted and taken her own banner and planted it here in Chicago and with Cure is phenomenal. So she needs, if you're out there giving her, give her a standing ovation of her own.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“I have to give Kelly a lot of the credit for being the, I get a lot of applause for my job after I finish my job every night. And people should know that parents of sick kids, moms of sick kids deserve.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, and what exactly is the next thing that can follow something like this? So the answer is. It's harder with the family. It's even harder with the sick child. And the insecurity of the entertainer entertainment life will never go away. So I have to just be grateful and humble and accepting that right now I've gotten to do this for as long as I have. And I will continue to put my heart on that stage. assuming and hoping that something will come along and that I will be taken care of and our family will be taken care of into the next one whatever it may be whether it's Hamilton or Hamilton part two if Lynn's riding it right now”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, you know, people ask me a lot what I'm going to do next. And I wish I could choose if I could choose, I would be doing Hamilton for the next 10 years. They're going to have to drag my old broken body off the stage. I don't get to choose. And the hope is that I can do this for as long as they allow me, or as long as I can in this business, if Hamilton goes somewhere else back to New York or something like that, you kind of have to follow or choose hope to find the next thing. It's a tough life to live.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Well, I'm even more speaking of because the actual physical work, the sweat that happens, that is part of it. But the work that has to be done to make the story work, to make this song work. There's no part of that show that says, oh, I can't believe I have to go out and do this right now and just get it done with so we can get to the next part. Every part is important and meaningful and moving. And so to make this story work is not a lot of work. So just to get in there and find my feet and go, it's”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“But you're the hub. No, no. I think when I talk to people a lot about, you know, when I started training as a kid, I think without knowing that you this is what an actor will want to be doing this role, doing this job, something that is fulfilling artistically, politically now, socially, all of a sudden this becomes much more than just a A great role. This becomes something important. So to be able to go out there and do that and carry that banner and not have to work that hard. And I'm not talking about the sweat that happens. Nobody who's...”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“I like to go out into the audience after these shows and do selfie. I do a selfie tour. I'll take selfies up in the balcony because we don't really interact after the show because it would be kind of mayhem. But I take two pictures and they're all so excited. They're all so excited. Some of them never seen a show like this before. Any show, not Hamilton, you know, not to mention Hamilton, but like any sort of big production like this. And I think just to be able to interact in a small way and say, you know, thank you for coming and to see the energy that happened.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“The energy that happens when these kids perform for each other kind of goes back to what I was talking about before, they feel the weight of what is going on, I think. It's as much as like a 17, 15 year old kid can.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, there's some that get overwhelmed by that time, but there are some that are really, they step into the, they step on that stage and the sound comes on. And they are, look out, that's a Lafayette coming up, or that's an Angelica soon-to-be. And that is to watch”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“A little bit. The interaction exists in mostly before the show, the morning time. They perform their own pieces and they perform things that they have written for in the timeframe, some sort of thing about usually it's a lot about Eliza or Martha Washington or something like that. They do their own sort of raps or something about something that was happening at the time. And how are they?”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“And yet, that's the reason why it works so well is you dive into the mind of these people and go on this story and go on this journey with them.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“I think that's really the only. That's one of the driving forces behind how I approach every night. I approach every The person, the people, the people story that happens up there is what was one of the first people asked me a lot, well, what is it about the show that you found out? What is it that you learned? And what I learned was that while yes, these guys and these folks were creating a country, they were also regular people messing up and doing the wrong thing and trying to figure it out in this mess of a beginning, in the war and so it's not black and white in a textbook and this happened and this happened and this happened. There was a lot in there and so as we begin with 19 year old guy trying to figure out his life, the journey is clear and jagged and hard to emotionally get into or to figure out.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“In my house For myself, for everybody else who's children. I mean Don't they understand? Don't people understand that this is not an option for us. This is not something that we can just go figure out on our own.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, I think the minute they said the other day that they were going to strip the pre-existing condition out of there, I was pacing.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“I think back to that young family in New Jersey before Hamilton started, and I tried to imagine what we would do if this was happening to us and Hamilton wasn't happening. I think of my wife sits down with these piles of bills and yes, thank God we don't have to worry about it. We just write the check and send it off and it's not a big deal. But what if we didn't? There's families that can't. And the medicines are so expensive and the treatments are so expensive. And we have to.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“On the other side of that, like you said, he attacks her with hugs and kisses and love and... So, you know, we try so hard to make sure that he gets as much normal as possible in such an abnormal environment, you know, where we have Breathing machines and heart machines and all of this monitoring, beeping and things that are going on in his life that doesn't make him feel like there's something freakish happening and that there's not a, that he can't be a regular kid because he's smart, like you said, there's going to be something in there that is affected whether it's resentment or anger or whatever. And I urge any other families that are dealing with this to make sure that they're taking care of that kid also. Absolutely.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“He had an ear infection or something, and he had some medicine. And he constantly said, I need my medicine. I need my medicine. I need my medicine. I said, what? Taste that good. I'm sure it tastes like bubblegum. And then I really realized he wanted to be like his sister. Right, because that's how she got a chance. She gets attention when he gets. And I thought, and so”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Are at the hospital. My son said we have a nurse who comes and now helps a lot. And he said, I like Miss Adrian. That's her name. And I said, oh, she is really nice. She's really cool. He said, well, yeah, but now you guys can talk to me. Now you guys can hang out with me. And I was like, I just, the way that his little brain is processing this is I can't even imagine. If he's scared or if he is concerned or he's sad, I don't know, but he knows. He knows something. Well, you know,”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“A young parent to be told that something is wrong with your child and that there's not a whole lot they can do right now. That is, I just.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Our daily life is centered around seizures and the possibility of seizures and the possibility of hospitals and ERs. I mean, even death, you know, it is part of our daily thought process. And if that's not terrorism of your brain, of the mind, of her brain, of our mind, of our life.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“In New York. And so the minute we got here, she reached out to Cure. And that's how we met Susan. That's why she came because she knew about them. And the things that you guys do. For whatever reason My daughter has epilepsy. I get to be Hamilton, and here we are in Chicago able to use the platform to help in any way that we can. And I think that's the difference between being held back. This thing is holding us back from experiencing what it could be is not really how I think of it anymore. Now I think of it as we have been given the opportunity to sort of Make something out of this and use a platform”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, I ask about a lot, I say whether or not we have been cheated, my family has been cheated out of experiencing this Hamilton phenomenon. You know, I talk about it sort of, you know, I wonder the question is like, you know, it's like holding on to a comet and a parachute at the same time. You know, we get to this amazing thing that we that anyone would It's the best job in the world and yet the experience is held back or affected by this thing with my daughter. And I don't know, I don't know what you folks believe in, but when we ended up in Chicago dealing with this, my wife had worked at a restaurant throwing parties for big, you know. Big fundraisers, and one of them was Cure”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“And, you know, so the emotion of the day was probably written all over my face. And whatever they saw, whatever I brought in with me from my real life into this fake life, they picked me and I got to be, they gave me both the jobs. I got to be on Broadway for four weeks as the understudy for the Broadway company and I learned the show like a rocket and went on stage as the Broadway Hamilton. And I got to perform with some of the original folks there on Broadway. And then we started Chicago rehearsals after that. And in the middle of all of those rehearsals, My wife had come to Chicago to find us a place to live and my daughter began having infantile spasms when she was gone.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“I walked out and he's this huge bear of a man and he gave me this gigantic hug and he said, Miguel, that was beautiful. And I said, I didn't know what to do. And I said, thanks, man. And he left. He left and I started crying a little bit. And somebody said, hey, man. Sure, you did great I said, thanks, dude. That's not why I don't care about Hamilton that much.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Aspirations for their kids and what they dream of as the possibilities, the endless possibilities that can... Can be achieved by these children. And as a father beginning to sort of feel the pressure of maybe this child, my child will not, those possibilities may be. Being taken away, I don't know how I got through that song that day, but maybe I think they saw something in this faraway gaze that I had to give just so that I could sing that song there that allowed that they saw into my soul about what was really happening. And they didn't know. I didn't tell anybody. I didn't tell them what was going on. Nobody in there knew. And I walked out of the room and Oscar Eustace, the artistic director of the public, and I'd known him from a show before. Public theater, public theater in New York.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Theodosia is about. Two fathers, Aaron Burr and Alexander Hamilton, singing to their infant children in their cribs. And it's about hope.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Was not going to be more important than what was going on 20 miles away in the hospital New Jersey. And so I think I was able to stay grounded. I was able to stay focused because in the back of my mind I was understanding the severity or the potential severity of what was going on. And I sang.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“And so there were these two worlds that were just colliding at the same time. And I think I have to give her a lot of credit for Adelaide. I have to give Adelaide a lot of credit for where we are today. Because auditioning is terrible. It is the worst part of this job. And so you go into a room like that and it's very easy to get overwhelmed or nervous or let the moment be more than you can handle. And I walked into that room knowing that this moment was not the most important thing in my life. This time, these few minutes spent in this room in front of all these people.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Profoundly your life is going to change for... And bad. I tell this story a lot about the third audition as the word epilepsy begins to come into our life. We have this appointment with this neurologist. And she says, yeah, epilepsy, generalized epilepsy. And so you go down the Google hole about what that means. And then, you know, fast forward to my third audition in New York, I walk into the room in New York City, at Chelsea Studios, and there's 25 people in Lynn Manuel and Jeffrey Seldo, the producer. They're all there. And I'm walking in with a glaze on my face because A. Is the biggest addition of my life. This is the biggest show ever. And yet, I've just left my wife and daughter at the hospital. My wife's strapped into an EEG. They're about to do a lumbar puncture. They're going in deep to find out what's going on.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“But something was not with Adelaide. And so as we were figuring out that we needed to get this checked out, she had this weird face. Thing that happened. And so, you know, I went to the, took her to the pediatrician and we were going to go to the neurologist already. We already had an appointment for the neurologist later that week. And then, by the way, your audition for Hamilton is next week as well. So I'm carrying all this with me, really not understanding the severity of what was about to happen or what was going to happen with Hamilton. There was no way that we could have known in that week when she had the seizure and I was having this audition.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, he was like a rocket. He did everything early and was doing push-ups by the time he was five months old. So it was... But we couldn't quite remember. We remembered that it happened faster, but we didn't quite. But”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Her face dropped the right side of her face kind of went slack. And up until this point, she wasn't developed. She wasn't rolling over. Smiling and laughing a whole lot, but we just thought that was something that could just kind of.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“And so he was clearly going to move up into the lead role, and they needed someone to take over and or the new Chicago production that was being mounted later that year. So I auditioned and there's these four steps, four auditions later. I call my wife and say, hey, we're moving to Chicago. Right in the middle of all of that, as an unemployed actor, young father, my wife is working all day long. My daughter had started to exhibit signs of some sort of a delay, some sort of a problem. We didn't sure what was going on. She's five months old. And we realized something was not quite right. And then she had a seizure, what we thought was a seizure at about five months. And this is just before. Hamilton started, right? You say you thought you thought you th”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, I got a packet that said Alexander Hamilton packet, and here's all the stuff. It was my shot, the Adoja Yorktown, Aaron Burser, helpless. And so I knew, and I had seen the show already. And I saw the show with a little bit of a bitter taste in my mouth, but it was amazing. And I remember it being amazing. So I walked in with zero expectations and, you know, four auditions later, here we stand. And I was auditioning for. Broadway as a replacement for Javier, who was going to take over for Lynn when he left and or he was his understudy on Broadway.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Well, that was the coming one. The one before was the audition for Broadway when they were switching from public theater downtown to Broadway. And I went in, you know, not throwing away my shot. And they said, thank you very much. Have a nice life. And I said, wow, okay, I guess that's how that ends. So when it came back around in May of 2016, I expected a very similar outcome. And yet this time it sort of, they strung me along a little bit and said, come back, come back, come back.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, you know, I was again an unemployed actor. We had my wife and I had now moved to New Jersey with our son and newly born daughter. And she was born in October of 15, and I had finished my last Broadway show early, earlier on that year. So my wife was working. I was unemployed actor. And the sort of Hamilton audition process had started actually the year before with no...”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, you know, I think people, when I was a kid, I thought, oh, you've been on Broadway. Whoa. I mean, stop the presses. Like, that's it. You get into the reality of it, and yes, that is an amazing achievement. And yet, if that show, if when that show closes, you're out looking again.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Against the powers, and it was exciting and it was awesome, a green day. And, you know, talk to the 12-year-old version of myself or 15-year-old version and say, hey, one day you're going to hang out with Billy Joe Armstrong and just chill with them and Trey Cool and Mike Dirt. And all of a sudden, the 30-year-old version of myself is doing just that, living that dream. And these guys were so cool in there. Their involvement in the way that they were passionate about it was awesome. And the energy was just through the roof and it closed after a year. And like any Broadway show or actor, you're so excited to have the job. These things can come to an end very quickly.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“And it was their rally and cry against sort of what they were against the war and against the Iraq war and the policies that were going on at the time. And so they wanted to create this peace that sort of was a little bit of a middle finger to the government to say, listen to us, listen to the youth, the young people of the... And this is how we want to feel. And so it was that it was loud and hard and everyone's bodies were hurting, but because we were just, we were.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“As the working actor thing, the struggling actor thing happened, this thing came into my life. And it was called The Green Day Project, the Green Day Project. And then we got into the rehearsals and everything, and all of a sudden, we realized very quickly that it was the American Idiot Album.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, I mean, as these young folks that are coming into the show, and we've been here for a couple years, it is, I never thought of it that way. As the, you know, the young, I was the young guy coming in and super excited”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“That job was short-lived. Yes. And so that's, you know, I started at spelling B, I did the national tour, and then I came back from that, and then I got to be, I made my Broadway debut with that show. And when I say my Broadway debut is much different than the show's Broadway debut, the show had been running for three years. I came in as a vacation replacement. And so, you know, I come in all excited on Broadway and everyone said, yeah, stand right there, move over there. That's where you start. That's where you get changed. Welcome to the team. And so I was there for a couple weeks. And my first performance, I was energy ever, and everyone had been doing it for two years. So it was a little bit anti-climactic. But, you know, this is what it was. That's where my sort of Broadway, that was the career started.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, yeah. You know, I did it. I'd like to think that in my mind, it all happened like this, but I moved there. I had a sublet with a friend, and then I got working at a Toys R Us playing with toys. And then I got the job.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Got the role of Chiptolentino for its national tour. And granted, these things didn't happen back, back, back, back. I moved to New York and I worked at Toys R Us, playing with toys in the middle.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“He was a little dude that was the same as the bat boy, was this little freak guy that didn't quite fit into a mold of a leading man. I really got to flex the muscles that I had in the theatrical world. That was a slingshot for me. That show was a slingshot. I met the writer whose name was Larry O'Keefe, and he said, hey, come to New York. And I've got this little kid show that I'm working on. And so I went to New York and auditioned for this kid show called Cam Jansen. And it was this, you know, fun, quirky little kid show. But this fellow named James Lapine, I'm sorry, this guy named Vadim was the music director. And he was working on this little show called Spelling Bee with James Lapine and Bill Finn. And he said, hey, you should. You should come audition. We're doing this thing. And so I went auditioned for spelling B and I.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“And it forced me out of that situation that I knew I needed to get out of but wasn't desperate to move, to get out of. But for some reason, this was the catalyst that pulled me out. And then as Boston became a new home for me a second time after college, I started to find a footing as a 27-year-old person now. I did a show called Bat Boy at the Speakeasy Theater in Boston. And it was like, do you want to kick? I kicked down. That's where I kicked down the door. I found a place that I was comfortable in and I found a role that was right in the wheelhouse of a little fellow like me in Badway. I don't know if you know it.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Boston, and I did that. And I was like, yeah, let's do that. There was a dating situation there with her that crashed and burned in a terrible way. But what it showed me was when I went back to Dallas a month later, I packed up a car and drove to Boston.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“And every day they're trying to sell someone tires and screens for their car. And I didn't really understand how it was going to break out of that. And then I talked to a friend in Boston who I'd known when I was there in school. And she said, hey, you know, you should come, me and James, another guy, a friend of ours. I don't know what we were doing. I can't remember what the plan was, but I said, yeah, I want to come see some, I've been here for six months. I want to come back and see some friends. And I went out there and I had a conversation with her about she said, well, what are you doing there? And I said, well, she said, why? And I said. I don't know. She said, Well, we're moving. Why don't you come up here and stay with us for a while? And I said,”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, I think so. I think I was too young. I think I was 24 at the time. And I think I was in the back of my mind always had some sort of plan, but I didn't have a plan. There was some semblance of an idea that maybe I'll get back in. There was theaters in the area that I'd worked at as a kid that I could go back to. Maybe I'll start there. But it was really sort of it felt very heavy to be in this car shop.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source
“Not a lot of singing and dancing And I didn't feel like I was My mindset was we can make this work, we can make this work, and I will figure out the next thing as it comes.”
2019-01-14 · The Axe Files with David Axelrod · Ep. 299 - Miguel Cervantes · IDENTIFIED FROM THE TRANSCRIPT · source