YouSaid · the spoken record
Tom Jones
- lines on the record
- 55
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- 2010-09-26
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- 2010-09-26
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Every line below is reproduced as it was said and linked to the record it came from. Nothing here is summarised or generated. Directory · Search · Corrections
“That would be a hard one, but I would stick with a whole lot of shaking going on, I think. Because I like singing along with it as well. And I can't sing along to bad penny blues.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Well, when I used to go to Barry Island, you know, talking about an island, so Barry Island was where I used to go when I was a child. And you never went to the beach without a bucket. So if I was on a desert island I would have to have my buck and sped.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Well, the one that I've already read, which I enjoyed very much, is The Rise and Fall of the British Empire. Because I've always been interested in history, and especially British history. I am Welsh, but I am also British. So I've always been very interested in that.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Well, this is a record by Humphrey Lilton. This was the record that bridged the gap between traditional jazz and rock and roll. It just jumped out of the radio when I heard it. I still love to play it now, so I would, if I was on a desert island, I would love to play it.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“No, no, I don't admit to. I mean, you can't. There are parts of my life that sort of. is not what you would say is a wonderful thing sometimes it's Over indulgence maybe sometimes, you know, that They should sort of rein myself in a little bit, but I tried to. I've always tried to, though. Yeah, I've always tried to rein myself in. Yeah, but sometimes things get the better of you. I'm a little weak minded, certain that is. No, but I'm only saying this now to have a bit of fun, really. But it's not a part of my life that I'm proud of.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah. You can't get away from the title. It's one of those things. So, you know, when you do things sometimes, you're creating a monster sometimes without actually realizing it”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Sexually voracious. Well, I did feel like that though. You know, I wasn't putting it on. That's the thing. So I've only myself to blame. You were the man who...”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“The Sometimes you say, well, I'm a singer though. You know, all that other stuff, don't take any notice of that. I've listened the way I sing. But people see more than they hear most of the time.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“That I've had a great time. I mean, there's more ups and downs. You know, I had a dream when I was a kid of becoming a singer, a professional singer. And I'm still living that. And I haven't forgotten it. I haven't finished yet, you know, because I'm loving it so much I don't want it to stop”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Oh no, no. Well, this is a personal record, though. You know, so nobody's fault but mine is very poignant because it's about questioning yourself.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“The longest time taken of making this album was finding the songs. My son and my daughter-in-law, they listen to a lot of stuff and my son is sort of really musical. He will find things and say, what do you think of this? A different me was there. I read more into the lyrics, I think, and I tried to hold it. I tried to sing it to myself rather than sing it to...”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“This is Big Bill Brunsy. This is the first blue singer that I was ever aware of. He came from the south and he moved into Chicago and he worked at a slaughterhouse or a meat packing factory. He was working side by side with white men, and this white fella said that he was getting paid twice as much as Big Bill Brunsy. And why wouldn't he do something about it? So the only way that he could As far as he was concerned, he was to sing about it”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, I was more when they were smaller, you know, I loved it when they were, I mean, they were wonderful adults now, but they were great kids. I wouldn't have missed it for the world, being a grandparent.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“But things sometimes happen for the best, you know, and he met his wife, you know, Donat, so I mean, if we had stayed in Britain, then that wouldn't have happened and I wouldn't have my daughter-in-law and these two beautiful grandchildren that I have. So I think there's a reason for stuff that happens”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“While my wife thought it was a good idea, she was the one that said, you know, Mark is missing you more and more And I liked it because he was with me, you know, because I wasn't seeing a lot of him before. Maybe I was a little selfish there, you know, looking back on it. But I mean, as it happened, it's turned out, everything's turned out well. But it could have not turned out well, you know.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, having a son that young, you know, we grew up together, really. You know, I mean, I was still growing up, I was a teenager when he was born. Yeah, more like a brother.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Oh, the stereophonics, the cardigans, Manic Street preachers, Caris Matthews, Robbie Williams. Mark knows me better than anybody else, and he knows what I'm capable of, you know, singing wise, you know, and knows really what I love to do.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Yes, quite right. So when I met Elvis Presley, he was walking towards me singing with these hands, which was my single. So that was mind-boggling. That was like my God, you know.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Well, you're right in the middle of it, and so you're not really thinking about it. You know, you think Soon as I broke through with this not unusual and right at the beginning of sixty five. That changed my life there, but that was the big change. I had some unusual and wants you pussycat came right behind that, then I had a ballad called with his hands, which was also hit.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“This was the first Aretha Franklin record that I heard, and I was driving back to London from up north I'd been playing some gigs up there. Had the radio on. This record came on. And then, of course, at the end, they said this is a new singer called Aretha Fr”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“There is no other thing to do. Not for me, there isn't. No, no, so I mean this is it. I love singing like breathing to me. I've never known life without it. And I dread the time if it ever does come when I can't sing.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, that's where my house is That's where my stuff is. That's why my wife is, and my sister also lives in Los Angeles, and they both like it very much there.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Well, I was in Los Angeles with my wife and my sister and my son, my daughter in law, and my grandson. My granddaughter couldn't make it because she's studying to go to Cambridge University.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Stop, he said, Well yeah I said well then okay let's work it out you know I'll do that so I can stop you from doing what you do.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“My father at the beginning was after the first year and I'd had quite a few hit records and I bought this new jaguar and I drove to Ponty Freed to show my parents my new car and my mother started cutting sandwiches from my father. And he said, Well, I'm going to work tonight. I said, You can't go to work tonight. I'm a coal miner, that's what I do. I said, Dad, please. I mean, you know, I'm making all this money now. You know, I don't want to think about you in a coal mine and he said, Yeah, but you know, how long is this thing going to last with you? You know, who knows? You know, he was really thinking about it, and he was fifty seven then. And I said How much money do you think you're going to make from now till you're sixty five? I said, Then what about if I can put that in the bank for you? Would you then?”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“While my mother loved it Oh she absolutely loved it, but my father was still shy, you know. But they would come and see him shows, you know, and My father would watch me from the wings. We were very similar when he was. When he was younger. So I mean he used to like to look at me as well as listen to me because he said I'm so proud of looking at you the way you handle yourself, you know, on stage.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“This one is a comedy record. I was born in 1940. And spite Jones used to come on the radio with comedy records. And he came on with one about the war. And this one is called Defura's Face. So it's really giving the finger to Hitler, you know, which we all loved, of course”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Not unusual. A bit of it, if you like. It's not unus you well to be loved by anyone. It's not unus you won't have fun with anyone.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“So they said, Well, we've got to just play it to her. So thank God the Sandy Shore. I didn't know at the time, but later on I'd heard her say Whoever is singing this song, this is his song. I wouldn't be able to sing it like that.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“It's not unusual So Gordon Mills wrote it, and Lesre had helped him with it. Gordon said I have this song that Les Reed has been commissioned by Sandy Shaw's manager to write her next single. And she'd already had like two number ones or something. And he sang it to me in the car. So I said, right, okay, okay, okay, I got it. And I sang it. And when I heard it back I thought my God this is a hit song here. And Gordon said not for you. You don't want this. It's a pop song. And I said Gordon this to me sounds like a hit song. And I said, and if I don't get it, I'm going back to Wales. You know, I was that was another one of those tantrums that I was throwing.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“See how she was and see how he was. That's right. They were in Ponte Prize and my wife had to go to work and I was stuck in London. I didn't like it.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah, well, the problem was that my wife had to go to work. in order for her to go to work, she'd have to go to a factory. And I didn't like that. So I did get depressed. And I said to my band members, I said, I don't think we're going to, you know, this is not going to happen. This record didn't make it. I've got a good mind to, you know, to go back home, or I might even jump under a train. And they thought I was serious. I wasn't really. But, you know, I was really frustrated.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“How was that? Well, there were two rooms. There was the boys' room, the glove cutters, and then the people that sewed the gloves were girls. So, of course, we'd all mix at the Christmas party, and I was the only male that could jive. Well, It was, as you say, kid in a candy”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“I left school when I was fifteen. I was working in a glove factory as an apprentice glove cutter. In factories, they always have a radio playing to keep the workers happy. And all of a sudden this rock around the clock, you might. I mean I thought good God this is like you know this is jumping out of the radio at me”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Now, when I look back at it, because we went to Wales the other day. To my hometown That was my world and I thought he was pretty big, you know Pontip to me was a pretty big town in those days. But I thought my God, I must have had Some kind of spirit I must have had some But I must have, in order to think I can break out of here.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Yes, but I couldn't make enough money as a singin' in Wales. I had to get jobs in the daytime so I could go and sing in these pubs and clubs at night. And I'd work on construction and I would work selling vacuum cleaners, anything I could do in order to provide I would do. I thought one day somebody's going to come to one of these clubs and see me and take me to London I'll have a hit record.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“How did you break your nose? I got nutted. head few times, and Anna punched in on so you don't notice it, but it was moving left.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“1952 to 54. That's when I had it. So I would look at kids through the window. And I lived close to a hill, a Welsh hill, you know, all terrace houses And I would see the cadet wave to me as I came past my friends, you know. That was a terrible feeling, you know, that you couldn't go and play with these kids, especially at that age. You know, at that time I was starting to notice girls and my wife who became my wife. She was a girl that used to go up there. Oh, I'd noticed before before I got sick.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Well, she was the first gospel singer I ever heard on the radio, and I thought my God, you know, who is that? I'd heard gospel songs, but I'd never heard them sung like that. And I'm there's a song that we all sing in Wales, you know, at funerals and things called The Old Rugged Cross. So I wanted to put that on the list as well. So we're killing two birds with one stone here.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Yes, my mother used to get up to sing. She would sing in the club, in the local club. But you didn't have a very good voice, but she could carry a tune. My father had a better voice, but my mother had the bravado. She wanted to get up and, you know, shake it, but she did.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Well, especially on the weekend when they'd had a few, because my father always took my mother out to the local workman's club on a Saturday night. Sometimes they'd come home, and they'd start all this stuff that was pent up in the week, I suppose, would all start to come out”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“You say, Freela, that's not you, is it, Frida? I say, no doubt, it's me. Get your mother. I want your mother to do it. Well, she won't come here. Well, it was such a thing. I mean, it was funny, really. It wasn't nasty. No, I get it.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Yeah,'cause it was a tin bath. We didn't have a bathroom, you see. So'cause the bath was so small he would have to kneel on the floor first of all and take a shirt off and wash his top half as he used to call it. And then when he had done that he would then stand in the bath and wash his bottom off, and he would shout for my mother to come and scrub his back. My mother's name was Frida, so I remember Frida You don't get in here and scrub my back and if they'd had a row, my mother would say Get in there and wash your father's back. I say, Ma'am, you'll know it's me. And she said, No, you won't, don't say anything. And then as soon as I'd start, you know.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“My father could sing. He did have a voice, but he didn't have the nerve. He was a shy man. Yeah, but he could sing. If he'd had enough beer.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“When now they come to think of it, when we used to go carol singing door to door And the boys would say to me, you know, we're going to go candle singing tonight. You know, you want to come? And I said, no, I don't think I'll wilt tonight. And they'd let them go off. And I'd go myself. You know, I mean, people like the way I sang. And if I was singing with, you know, with four or five other fellas, they drowned you out anyway. So you couldn't shine.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“It was my strength. A lot of boys in school, they were great rugby players or football players. You know, something. So it was my strength. I'm dyslexic to start with. So therefore I didn't like school, but I was lucky that I had this voice. It gives me confidence. As were school I wasn't confident.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Well, I love singing it in school. And, you know, little boys love Westerns. And I like story songs, Alex songs that paint a picture, and this definitely does, you know, ghost writers in the sky. And I used to like to imitate people when I was young. So in order to sing this song and to get the Vaughn Roe sound, I would go with it, eh? You know what I mean? So it's like this. So when you hear it, you know what I mean?”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“To a non American performer. So I had the record there for maybe it was the most at ABC television that paid anybody, maybe. I know it was a record at the time.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“It all depends. I mean, sometimes when we were doing production numbers. They'd have a designer there, you know. So sometimes they were a bit more outrageous than others.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source
“Thrilling. Thrilling because I didn't have to hold back because sometimes when I do duets, I don't want to be overpowering the other person. It's not good for the duet anyway.”
2010-09-26 · Desert Island Discs · Sir Tom Jones · IDENTIFIED FROM THE TRANSCRIPT · source