YouSaid · the spoken record
Chelsea Handler
- lines on the record
- 94
- first
- 2016-06-13
- most recent
- 2016-06-13
- sittings or episodes
- 1
- sources
- podcast
Every line below is reproduced as it was said and linked to the record it came from. Nothing here is summarised or generated. Directory · Search · Corrections
“Sometimes Twitter. Well, no, Twitter, if you're naked because they don't take it down. Newshot. That's right. So if I'm in the bushes and I take my top off in Moscow, that goes to Twitter. Okay. After I leave Russia. And then Facebook is good for videos. That's probably the best place for videos.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“And I know I have a Yeah. So I'm like, okay, well, then there will be something else after Snapchat. Sure. But, you know, Instagram to me is... Very everybody with their filters and their silly, like everyone wants to look so beautiful. I'm very anti that. I like to look good, but I'm really gross. I find it gross to kind of constantly change your features, you know, and like trick people. So I've always been a little bit more, I have erred on the side of like, this is me at my, you know, not my best. When we do a glamour shot with me, my girls, it's like we're all just like, it feels so weird to even be like, okay, take a picture for Instagram, you know. Of course, I've done it, but it's not as authentic as me like, you know, disrobing and going here, this is how silly I look in the morning naked. Where”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“I thought I could make this fun. And I did, and I have fun with it. Talk about Snapchat because we just had our conference and everybody was sort of talking about the ascendance of Snapchat, even more so than before. And I know I have a 14-year-old. He lives on Snapchat.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Twitter, I like to just kind of send out Twitter's not a video place, really. I like, I think Twitter's kind of a little bit more cerebral than the other ones. So I like to, you know, tweet out one-liners or commentary on the election or Trump or whatever and make fun of things. You know, it's nice when you have a stream of consciousness or you wake up with a funny thought and tweet it out. I didn't embrace it as much. In the time I took off, I was kind of like absent from the whole social media world. So you come back and there's this influx of, I'm like, I have to Snapchat. That is like the most narcissistic gross way to spend my day. But I rearranged my brain around it and I thought I could make this fun. And I did. And I have fun with it.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Just so you know, you share that in camp. We have a lot more than that in common. No. We have nothing in common. All right, okay.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Oh, there are a lot of people. There are three in my office, and then at Netflix, there are like 30. I had to snapchat. I started Snapchatting. Let me go through.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“I mean, do you think about it with this show for sure? Oh, yeah, yeah. I had to really readjust everything. I mean, I have a whole social media department that has meetings about me. Really? Oh, yeah. How many?”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“And I just looked this morning, and for the kids, I'm not great, it's like 600,000 views on Facebook. I'm like, that seems like a lot. That's a lot. And that's one of those things that hits without you even realizing it. Like they posted that yesterday or two days ago and I had no idea. Right. Do you use it?”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Right. Yeah, I mean, I think that, you know, we put out a video, like I do this PSA, this recurring PSA is called Kids They're Not That Great. Like you don't have to have kids. And we just filmed a bunch yesterday called Marriage. You can say no. Yeah. Like the advantages of being single, successful, and not tethered to anybody. Right, right.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“You know Right Right. But there is a thinking that you have to do these. I hate to use this word, but they're called snackable. Snackable that people can flip through them, and they're structured that way because of the way people are watching.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Yeah, I don't love doing stunt stuff. I mean, I think it's fun if it's well thought out and it fits within the show's format, but doing a stunt for the sake of doing a stunt? No. You know, I mean, that works beautifully for James Corden and like Carpool Karaoke or, you know, and for Jimmy Fallon and his stuff. But you have to find whatever it is organically because the show by nature of it is already viral. The fact that it is streaming makes it viral.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“I'm like, what is stream But I don't think I'll ever really question. I don't really care how it works. It's just that it gets there. But I do think there's a different way to create. When people are watching in an online mode or in a binging mode, there's a different way to create than the way television has been done.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“To me, it's a TV show. I don't feel like it's online. You know, I don't even really know what that means. I'm not some tech savvy person who's like, when they said streaming, I had to have somebody really break that down for me. I'm like, what is streaming? Yeah. I mean, I think I do, but I don't think I'll ever really quite get it. Not like you get it.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Okay Well, if you're talking about, you know, it depends if you're talking about being just creative for the sole purpose of being creative, or you're talking about being monetarily creative if you're talking about making the most of your situation. For me, that kind of thing, my impetus has never been money. So like constantly creating things around my brand or persona is not interesting to me. What I'm trying to do is create a television show that's that, you know, this is the first global talk show in the history of television. I want to focus on that and be really and get really good at that. Right. So creating that, yes, you have to be mindful of the fact that this is being fed into all these different languages and that humor translates sometimes and doesn't all the time. But you can't pander. I can't decide, okay, I want to appeal to Germany all of a sudden because then the rest of the people are like, well, wait. So I think as a somebody who's like a comedian, you have to just be really authentic to your point of view and then send that message out.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Yes, I wanted to basically use Chelsea Does as a bridge to the new talk show, and I wanted to kind of coalesce the two things, a talk show format with elements of Chelsea Does, which is exactly what I'm trying to do. I want to kind of have that vibe. You know, those are documentaries, so you're watching, I mean, I use that term loosely, you're watching those in an hour long, so it's a little different because you don't have an hour to explore a topic within a 30-minute format. But you can still do it a little bit. And I like that. So we're kind of combining the two. And so you're just finding your footing within that. Is interesting and doable. So we're, you know, every day we're like, okay, that worked, this worked, this didn't work, let's do it this way.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Just, you know, I wanted everything. I wanted to talk to different. I want to talk to older people about the election, younger people, kids. I talk to kids a lot. They're a big part of the show. And I talk to, I mean, when I say kids, like eight, nine-year-olds. You know, talking about Donald Trump is very entertaining. And then we went, you know, we just like, we went in Tokyo, I took geisha training classes, and I went to Geisha school, and then we went to an event with Geisha.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Well, what we did for this show is we started doing about four months before because I wanted tons of field pieces because I really like that kind of stuff.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“You're just like, okay, see you next time because you Right, right, et cetera. Right. And so you just taped them as the way you used to do a show on a set, and then when you go out, you do the out, but it's not different in terms of production or how you think. Well, what we did.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“But for the most part, other than politics and other than kind of stories that happen, there are broader topics that you're just going to touch on regardless of the time. So it doesn't really, I mean, it's definitely something to be mindful of, you know, when we're going off, it's like, okay, see you next time instead of see you tomorrow night. You're just like, okay, see you next time because you don't know what order people are watching, et cetera.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“No, it's much different. I mean, we put a lot more effort into this because it's more, you know, it's a much broader show and there's a broader scope of topic. So there's a lot that goes into it. We actually shoot the shows on Monday, Tuesday, Wednesday, because they need a 36-hour turnaround to feed them into the other countries. So we shoot them Monday, Tuesday, Wednesday, and then we spend all day, Thursday, and Friday figuring out how we're going to approach, you know, like with the election and stuff. Right. If there's going to be new stuff that's coming out after the show's aired, we have to kind of be strategic about when we place that show during the week.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“You can categorize it as late night based on that alone. But, you know, I think, I don't know when you watch a show like that, nor do I care. I just, I like the access I have to all these different kinds of places and countries. And Netflix is so encouraging about going and traveling to all these places and highlighting the cultural differences to many places that people may never get to go to. It's like if I'm going to go on vacation and see all these places, why not film it and show everybody what it's like in Mexico City that it's not that dangerous, that it's a beautiful place, you know, and that we should be more broad-minded about certain things. Sure.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“It's not late night Yeah, it feels like it's, you know, because there's cursing and there's adult conversation. So maybe you could.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Wherever you want, whenever you want to watch it. You want to watch it in the morning, you can watch it in the morning. I mean, you can binge watch them all on the weekend if you want to, or you can watch one episode and be like, oh, these are the dinner parties she does. I like those. I don't like the rest of the show. Or I like when she does this kind of show. I want different types of shows within my show. Right. So that, you know, when you're tuning in and you see the caption, you're like, oh, okay, that's when she does this. Right. So, for me, there are myriad reasons to be on.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“I've always had control. At E, they let me do whatever I wanted to. So that wasn't the issue as much as The difference is that it lives there, first of all. It goes online, it's streaming, it's there forever. You know, you don't have a time to tune in. You know, if you look at the ratings of networks of late-night television shows, people aren't watching them. They're not watching them from start to finish, certainly. They have viral clips that they watch online. Well, they're doing it.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“And then we had Ashton Kutcher and Cindy McCain on talking about human trafficking. And we tried and mixed them when it's appropriate.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“And interview people about the election. You know, we get to cover politics, we get to cover. Everything that I, you know, that makes up a full person, stuff that interests you and that you read in the paper and that you want to talk about with other people who can kind of inform you about, you know, we had Bill Nye on the other day. He wasn't as informative as I had hoped. I bet he was there explaining GMOs.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“I mean, you could, I guess, but I mean, that's not appealing to me. I mean, you're only in this country, A. That's not appealing. I love traveling, so that's a huge component of the new show. We went to Tokyo, we went to Russia, we went to Mexico City, we got to go to Florida, which is also like another country.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Well, it's an explanation sometimes. Sometimes I'm sitting down. Sometimes I start with a piece with kids, me talking to kids about politics. I just want the flexibility to have it different all the time so I can stay interested. I like the energy of not knowing what's going to happen next.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“For me, it was really important just to have not be tied to one structure, have more fluidity within a show, not be opening a show in the same way every single night, not standing and doing a monologue. Even if I'm doing an expert.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“I can barely get by in this language, so I'm not really that eager to hear me in Germany. And then it gets fed into 190 countries. So that kind of platform is hugely attractive. I didn't even realize how big it was going to be when I signed on with Netflix because they just went into 190 countries about three months ago.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“So You know, they always said it. You can make the show whatever you want. You can make it. And I go, yeah, but people aren't coming to E for that. So Netflix being in 190 countries, my show's translated every single day. They input it. They translate into like 20, 24 languages.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Yeah, by the way, that was pitched to me on my new show. I go, we're not doing that anymore. We're not talking about gossip. I can have celebrities on, but there's a much different, you know, of course, you're going to have some celebrities on. I never said I wasn't going to do that. I don't want to talk about gossip unless it's hilarious, unless it's Sumner Redstone hilarious.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“I don't think people were ever tuning in to E to be educated. They're tuning into E to tune out. Do you know what? I mean, they're like, they want fluff at the end of the day.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Edge of Attainment, which is what I really wanted to do and accomplish. And so they've been a great collaborator in the fact that they've let me kind of figure it out, you know? Why couldn't you?”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“And mixing them with celebrities and kind of talking about real things and kind of educating people and my entertainment.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“I could have done, of course, but what excites me, what's challenging, you know, I want to be out of my comfort zone. I want to do something I've never done before. I wanted to create something from the ground up. And I knew that Netflix was really the only partnership to do that with. And it is challenging. And it's everything I had hoped it would be. It's fulfilling in every way. You know, I'm working 12 hours a day doing stuff that I like, getting pulled in a million different directions, but in a way that I can now have politicians on my show. I had Senator Barbara Boxer on. I had John Favreau Obama's speechwriter. Yes”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Well, I mean, I created my last show. So it wasn't like it was structured before I came on the scene. The last thing I wanted to do was go into a show that had already been set up before by somebody else. I mean, my whole could have.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“I said, I think I told Yeah, I think I told Irving Azoff, I know. He's a close friend of both of ours. Yeah, swervy. I think I told Irving, I would like to go to Netflix. And I said, can you get me in a room with Ted and whoever else is in charge over there? And so he did. And then I sat down with them and they got it. And I said, I want to do something different. I want to have a bigger platform. I want to do a more responsible show. I mean, I still want to be an idiot, but I want to give information in a fun way. And I want to do something a little bit more worldly and be a little bit more responsible with how I'm spending my time and what I'm putting out there. And I was bored and I wanted some time off. And they said, do it because we're not going to figure out the capabilities to how to stream your show for about a year anyway. So take a year. And then in the interim, I pitched the idea of doing like those four documentaries. And I said, I want to do one about racism. I want to do one about technology. I want to do one about drugs. And I want to do one about marriage. I want to go to Peru and do ayahuasca. And Ted goes, great, do it.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Structure that's just already in place. I wanted to create my own structure. And the only place to do that in my mind at that time was Netflix. So they didn't come to me. I went to them and I said, so what did you do?”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“I could have been one year or 10 years. So I just thought I needed a little time to figure out what my next move was going to be. And when I met with the other kind of more typical and traditional formats and networks, I thought this isn't going to work. I can't just go from that show to another kind of”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“People saying, Oh, what are you going to do next? What are you going to do next? And it wasn't my intention to do something right away. I thought I needed a minute to just think about what I wanted to do.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Well, it wasn't necessarily a digital plan on my part. It was more of a, I just wanted to be in a place where I was surrounded by innovators and people who were forward thinking and who were progressive. And to me, Netflix embodied that. And when I was at my old show and I was going to take some time off, I started taking meetings about when I announced that I was done with that show. I started taking meetings just by the nature of”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Sounds like I need to change my name. I know. I have too many things that I did with Chelsea in the title. I haven't. Yeah, Tracy, maybe I'll change my name too. Tra”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT
“Chelsea Handler, welcome to the show. Sounds like I need to change my name. I know. I know. I have too many things that I find. With Chelsea and the title. I haven't used Kara yet enough. I should do Cara. Yeah.”
2016-06-13 · Decoder with Nilay Patel · Recode Decode: Chelsea Handler · IDENTIFIED FROM THE TRANSCRIPT