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Ian Murray

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On the record 2010–2026

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2010–2026
ON RECORD

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This is everything the corpus holds for Ian Murray. It is not everything they have said on the record.

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  1. “Friend in the other place, Baroness Twycross, would be delighted to meet him, and I will ensure that it happens. My hon. Friend the Member for Carlisle (Ms Minns) highlighted how the Tullie House museum is an international home for curation. It is also near to Hadrian’s wall, which I have a special interest in: I think that we should preserve Hadrian’s wall, or even build it a bit higher—some of my nationalist colleagues would certainly agree with that. I also congratulate my hon. Friend on her lobbying for Durham to be city of culture. I know that DCMS officials had the pleasure of attending the reopening of Tullie House following the remarkable makeover that we heard about this afternoon.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  2. “We must ensure that local authorities regularly produce plans on updating arts, culture and museums, so that the public can then hold them to account. We are actively considering that matter in response to the Hodge review. My hon. Friend the Member for South West Norfolk (Terry Jermy) mentioned “Dad’s Army”—I think “Don’t tell him, Pike!” was the other quote. Indeed, the statue of Captain Mainwaring in his constituency is fantastic, and it shows the real breadth of what we are talking about: ranging all the way from “Dad’s Army” to Dracula and industrial heritage, as well as all the other things that museums do so well. The hon. Member for Harrogate and Knaresborough (Tom Gordon) talked about how museums help town centres to thrive, and that is key to regenerating them. He asked about a meeting about saving Knaresborough castle; my hon.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  3. “Friend will be aware of, is considering a proportionate application process for smaller museums, particularly those run by volunteers, to try to ensure that it is as easy and streamlined as possible for the very smallest museums and organisations to apply for those kinds of funds. That is very much at the forefront of our mind. The hon. Member for Bexhill and Battle (Dr Mullan) and I discussed this topic in last week’s Adjournment debate on the Bayeux tapestry, and he is absolutely right to showcase what his part of the country does for our culture and heritage. He also talked about the transparency of funding, reorganisation and infrastructure in local authorities, which the Hodge review deals with very clearly. I appreciate that not all museums are part of Arts Council England, and there is a process to become accredited.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  4. “Friend the Member for Thurrock was correct in the way she presented this issue on behalf of her communities. She asked a number of questions about recognising the value of small museums and making more small grants available. I can tell her that small museums are an essential part of our national tapestry of museums and we very much recognise that as a Department. Indeed, 40% of all museums are small attractions with fewer than 10,000 visitors, and our funding streams must reflect that in what we are trying to achieve. Our museum estate and development—or MEND—fund is open to museums of all sizes. Capital grants do require some paperwork, but the Hodge review into Arts Council England, which my hon.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  5. “Member for Bath (Wera Hobhouse) was right to mention that culture—including museums—is one of the first things to fall off a local authority’s agenda when it is struggling to pay for key statutory services. Those are all things that this Government are trying to fix, but I am very happy to talk to my hon. Friend further about the Golden Hinde in particular. This Government believe that arts and culture should be available to everyone, everywhere, regardless of background and location. We are committed to broadening access to culture so that everyone has the opportunity to explore our shared heritage and feel connected in some way. We have heard that from right across the country today, so I will just concentrate on a few of the contributions that have been made. My hon.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  6. “My hon. Friend proves my point! But yes, he raises a key point about funding for not just large and national museums, but local ones. We have been trying to put together a package of measures for museums and for culture across the whole country, consisting of everything that is written into the creative industries sector plan. The key part there is for the British Business Bank to look at new financial models to help museums and the cultural and creative parts of the industry, but it is also about philanthropy and making sure that we have that corporate sponsorship as well. There is also public funding through Arts Council England and the money that DCMS is directly putting into museums. Of course, a key part of that is local authorities, which have been hollowed out over the last 15 years. The hon.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  7. “Friend the Member for Stoke-on-Trent South (Dr Gardner) represents the centre of the world for the Potteries. I feel as if I live in Longton, I have heard so much about it in the lobbying that is going on for town of culture. I am very happy to be bribed further.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  8. “The key thing is that responsibility lies with the Scottish Government, and it is for them to determine how they spend the money. I am very clear in acknowledging and understanding the concerns of Scottish churches about no longer having access to the UK-wide VAT reclaim scheme. The UK Government have introduced a scheme for England, and the Scottish Government have to determine how they spend their budget, and whether they introduce a scheme for Scotland. However, based on the Budget they have just passed, they seem to have reduced the funding for historical places, rather than increase it. I encourage all those in the Scottish diaspora to get in touch with the Scottish Government to push the Culture Secretary to replace that scheme. My hon.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  9. “Sir Phil Redmond is chairing the panel to determine which will be the first town of culture, and I do not envy his task. I met him last week, and we went through the number of applications—it is not public yet, but it is significant. It probably covers the constituencies of almost half the Members of Parliament. It is going to be tough. We may need to come together, across parties and as a Parliament, to celebrate everywhere that has entered the competition to make sure they get something out of it. Winning is important, but the process of taking part will help arts and culture right across the country.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  10. “I do not think it is for the Government or the Opposition, or indeed any politician, to tell museums how they should celebrate our heritage. Many of the political issues we are dealing with today relate to the past. Some of the best museums in the world that I have visited address political issues such as slavery, and we should make sure that we maintain that approach. Actually, a lot of the stories we tell in politics today are not new—they are stories of the past—and I hope the public engage with them, and the public will determine whether they are good things to reflect.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  11. “We should not turn this into a political debate, as it has been so collegiate today, but the last Government, during their 14 years in power, completely and utterly decimated local authority funding right across the country. That was the starting point for culture and arts to be diminished—they are not statutory, so they fall away. On the Hodge review, Arts Council England has been looking not only at how local authorities can be better supported but at how they can be better held to account for what they do on arts and culture. Hopefully, the review will come through and we can respond very soon. The shadow Minister, the hon. Member for Farnham and Bordon (Gregory Stafford), made a strange point about freedom of speech and editorial freedom.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  12. “I do not want to diminish the seriousness of a lot of the stories we have heard about our local museums, but an independent academic study has found that since 2000 the number of museums in the UK has risen. Despite the 500 closures since 2000, there have been more new museums in the UK, although it has plateaued since about 2015-16. There is a lot of work to do, but it is not all bad news in our museum sector. Arts Council England supports the museums and schools programme with £1.2 million a year to make sure it happens. It is wonderful that the shadow Minister has some Dracula jokes, but they are so old that perhaps they should be in a museum themselves. However, museums need local authority funding.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  13. “It is the impact on young people, schools and heritage that he is talking about. He also talked about the Land of Iron getting a national title. Arts Council England, via accreditation, will consider all requests from museums to become nationally styled where they have a strong story and strong case to make. On the Captain Cook Museum, Middlesbrough council museums were awarded £240,000 from the museum renewal fund last year, and the Land of Iron was awarded a MEND grant worth £650,000 in February last year, so we are supporting those museums. For the hon. Member for Bath, we had 93% satisfaction for her speech as well. She talked about what is happening with the Bath museums, and she talked about museums closing and the delicate position that many local museums, particularly smaller ones, are in.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  14. “He rightly talked about the local pride of maintaining and developing local museums that tell local stories. I think the statistics show that 89% of adults say that museums are important to their local pride and local culture. My hon. Friend the Member for Middlesbrough South and East Cleveland (Luke Myer) said that Captain Cook would probably have been a constituent 300 years ago. I would probably describe him as an L5Y—only half the Chamber will know what I am talking about. Again, Baroness Twycross will be delighted to meet my hon. Friend to talk about some of the issues he has with museums in his constituency. He said something important that sums up the whole debate: “Some museums are small in scale but enormous in impact.” That is great for telling local stories.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  15. “I have a five-year-old and a one-year-old, and my five-year-old loves being in museums. He loves looking at the exhibitions, but he loves just being in big spaces he can enjoy and run around in. I do not know if Dracula is a son of Derby, but it is something that we should perhaps debate further, maybe in an Adjournment debate with the lights out. My hon. Friend the Member for West Dunbartonshire (Douglas McAllister) is absolutely right that Denny’s shipyard built the Cutty Sark, and it celebrates the proud innovation and heritage of shipbuilding on the Clyde. It might not be an entirely accurate statistic, but I think I am right in saying that, 150 years ago, 90% of the ships sailing anywhere in the world were built either on the Clyde or somewhere near the Clyde. That innovation and heritage has to be respected and celebrated.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  16. “We should congratulate everyone involved. The way that we curate and develop museums is renowned across the world. Many countries look to the UK for the expertise to build their own capability, because we do the best museums and exhibitions in the world and have the best skills. Congratulations to all of them. My hon. Friend the Member for Stoke-on-Trent South wants to talk about the Lunar Gardens project. Baroness Twycross will be delighted to talk to her about that, and we will make sure my hon. Friend has an appropriate meeting in place as soon as possible. My hon. Friend the Member for Derby North (Catherine Atkinson) talked about her three children, and how museums are a key component of the local community and education. She also talked about entertainment and telling the stories of the past that shaped future generations.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  17. “I do not want to get into a debate about Extinction Rebellion or any other organisation, but I feel obliged to respond directly to that point. If my five-year-old daughter sees an exhibition on Extinction Rebellion and starts to talk about climate and other current political issues, I think that is what museums are there to do. They are not just there to celebrate heritage and the past; they are there to educate and inspire for the future. We do not have to agree with any of those exhibitions. In fact, I have not particularly agreed with some of the exhibitions and creative curation I have seen, but I have still engaged with them to be able to have a political debate.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  18. “It seems to me that some Opposition parties like to be bastions of freedom of speech until they disagree with what that freedom of speech is used to say.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  19. “We have committed significant new funding to the sector— historically high funding—and forthcoming publications and policies, including our response to the Hodge review, will further our commitment to the museums sector right across the country. That will outline the breadth of our ambitions for the sector, now and into the future. I thank all hon. Members for championing their local museums.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  20. “There is also placemaking and tourism, of course, as they are great drivers of footfall, and not just on our high streets but anywhere there is a museum. They drive footfall towards the areas where we want people to spend their money. Reviving our town centres is a key component of what the Government want to achieve. The average museum contributes nearly £350,000 to its local economy through visitor numbers alone. The role of local museums, as the cultural heart of our communities, in protecting, exploring and sharing our diverse local stories is undeniable. Today we have heard examples of the immense and varied contributions that museums have made across the country. The Government will not neglect local museums.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  21. “For example, the Essex Fire Museum in Grays, in the Thurrock constituency, is a brilliant example of a museum partnering with schools in its local area to deliver practical, hands-on education that engages children in learning environments outside the classroom. The museum runs an impressive learning programme in schools, offering immersive experience of fire service history, as well as sessions designed to engage children with subjects such as home safety, cyber-safety and the environment. Arts Council England’s museums and schools programme, which is funded by DCMS, works with 18 museum partnerships across the country—from Blackburn to Scarborough to Bristol—providing money to connect museums with local schools. The programme reaches over 200,000 pupils across the country, which is key.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  22. “It is all taxpayers’ money and public money, and it is the public’s money as well. The public can decide whether they wish to attend these exhibitions. They can even ask their local museums to put on other curations. However, it is important to see that in the context of what our museums do. We might not agree with everything we see—in fact, we might agree with only a small proportion of all the stuff we see—but we should be exposed to it. That is what art and culture have been doing for centuries: expressing views. Looking at a painting is just about as politically expressive as seeing an exhibition about Extinction Rebellion. I am conscious of time, so let me conclude by saying two more things. First, I will say a little about the vital role that museums play in schools and communities.”

    House of Commons5 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  23. “The consequential amendments, alongside the transitional provision and other minor and technical amendments contained in the regulations, will facilitate the smooth governance transition from the Information Commissioner’s Office to the new Information Commission.”

    House of Commons4 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  24. “Regulation 3 contains a transitional provision that provides for the Information Commissioner to retain their existing pension arrangements for the duration of their tenure as the first chair of the Information Commission, a role the Information Commissioner has assumed on the commencement of schedule 14 of the Data (Use and Access) Act on 20 August 2025, pursuant to sub-paragraph 2(2) of that schedule. I am sure everyone is keeping up. The regulations also contain three minor and technical amendments to the Data Protection Act 2018 in consequence of section 67 and 91 of the Data (Use and Access) Act. Those changes are to signpost references correctly and reflect numbering changes. They do not have any substantive legal effect at all.”

    House of Commons4 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  25. “The regulations also amend the title of the regulator across relevant Scottish, Welsh and Northern Irish legislation. My officials consulted devolved Government officials on these changes last summer, and they were content with the approach taken in the regulations and the specific amendments to Acts and instruments of the devolved legislatures. I have also written to the relevant devolved Ministers to inform them of the nature and scope of the changes.”

    House of Commons4 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  26. “The regulations prepare the statute book for the transfer of regulatory functions from the ICO to the new Information Commission later this year, and, as such, they ensure legal clarity and certainty by amending references to the Information Commissioner and their office in primary and secondary legislation to refer instead to the new Information Commission or, where appropriate, a specified member of the commission, such as the chair, in instances where it is necessary to allocate a specific statutory duty to a neutral person, such as supplying information on oath. The consequential amendments will ensure that the statute book is coherent, consistent and provides full legal clarity to support the transition from the ICO to the Information Commission.”

    House of Commons4 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  27. “The Act abolishes the Information Commissioner, which is a corporation sole, and transfers its functions to a new body corporate, the Information Commission, led by a chair, chief executive and other executive and non-executive members with collective decision-making responsibilities. That will increase diversity and resilience at the top of the organisation, so that the Information Commission can function effectively with independence and integrity. It will also bring the Information Commission in line with how other regulators, such as Ofcom, are governed.”

    House of Commons4 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  28. “I beg to move, That the Committee has considered the draft Data (Use and Access) Act 2025 (Consequential Amendments and Transitional Provision) Regulations 2026. It is lovely to see you in the Chair, Ms Lewell, as it always is. We have a rowdy bunch of Members on the Committee—I hope does not mean that we will be here too long. I am pleased to speak to these regulations, which were laid before the House in draft on 2 February this year. They are fairly straightforward: they make consequential amendments to references to the Information Commissioner and the Information Commissioner’s Office across the statute book, reflecting the reforms to the regulator’s governance structure that were introduced by the Data (Use and Access) Act 2025.”

    House of Commons4 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  29. “I hope that the Opposition will engage with that consultation in good faith and suggest what they think should happen. They already support the ban and should therefore propose it.”

    House of Commons4 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  30. “Let me answer the questions from the shadow Minister. Do we agree with the Conservative party on how they tabled the new clause? No, we do not. The consultation into the Online Safety Act 2023 and the protection of children online was launched this week. The sheer volume of responses that we have had so far justifies the fact that we should have that national conversation. It is not straightforward. First, the Government have to get that right, and, secondly, we have to take into account a whole host of views, including from charities that are very much against those kinds of issues. We have to listen to young people, too, and that is a very clear component of the consultation. The regulations are not directly related to that, but I am happy to answer those questions.”

    House of Commons4 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  31. “Let me take that away, but the answer should be yes. When a lobbying perspective has tried to influence consultations, from Governments of any colour, that has been taken into account when assessing the consultation. Let me take that away and give the hon. Member an exact answer. Even if the consultation receives a bulk of information, that is taken into account when the analysis is done. The statutory instrument is very straightforward. It merely changes all references to the old Information Commissioner’s Office into the Information Commission to make sure that the legislation from this place and across our devolved Governments and Administrations is compliant.”

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  32. “The current Information Commissioner, who becomes the head of the Information Commission, is contracted until January 2027, and the terms will not change for that contract. Through the process of public appointments, the Department will be going through the process of finding a new post-current commissioner. That will all be taken into account as part of that process. Does that answer the hon. Gentleman’s question?”

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  33. “I do not think that it will expand or detract from them. The role of head of the Information Commission is exactly the same as the role of Information Commissioner. [ Official Report, 11 March 2026; Vol. 782, c. 3WC.] (Correction) Obviously, before the role was held by an individual with the Information Commission below them. The regulations are formalising that under the 2025 Act. I am happy to write to the hon. Gentleman on the terms and conditions of the Information Commissioner. Although we have strayed into other aspects of the subject, these are very straightforward regulations. I am glad that we have had that kind of scrutiny, and I commend the regulations to the Committee. Question put and agreed to.”

    House of Commons4 March 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  34. “This Government are championing the UK’s living heritage: the crafts, customs and festivals that are important for local pride and community cohesion. Following the ratification of the 2003 UNESCO convention, we invite communities to submit their traditions to inventories of living heritage in the UK. Some examples are Up Helly Aa on Shetland, the Notting Hill carnival and, some might argue, the hon. Member for Strangford (Jim Shannon).”

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  35. “I would be delighted to go to Luton carnival; it sounds slightly less scary than participating in skeleton. We would welcome a submission to the living heritage inventories for Luton carnival, which is an important event in my hon. Friend’s constituency, as she has laid out. Congratulations to everyone involved in organising the carnival, not just now but in the last 50 years. We want to celebrate the UK’s diversity and encourage diaspora communities to contribute, ensuring that all practices are fully represented in our living heritage inventories. I will pass on her kind invitation, as well as to me, to the Minister for Heritage in the other place, who I know had an enjoyable time learning about Luton’s rich heritage when she visited last year.”

    House of Commons26 February 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  36. “The hon. Member makes a great point, and I congratulate to his father on being the professional at St Annes cricket club—I think he said that it was in 1973. If the hon. Member gets in trouble for saying that, I have just said it as well. We know our cricket clubs and all our sports clubs are right at the heart of our communities. We want them to thrive and they should be thriving. This Government are fully committed to ensuring that all our sports clubs thrive. It is not just about enjoying that cricket with a cold beer, as the hon. Member says he does and like many hundreds of thousands do every Saturday, but about young people being involved and the way in which that takes them into the future of work and sport.”

    House of Commons26 February 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  37. “I have not personally had any discussions with my counterpart in the Hellenic Republic on the future of the management of the sculptures. The sculptures are legally owned by the trustees of the British Museum. The chair of the British Museum has been in discussions with the Greek Government about a partnership, including reciprocal loans.”

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  38. “It is clear that the UK and Greece do indeed have a strong bilateral relationship built on our shared history and values. We greatly value the friendship that exists between our people and our Governments. It is for the British Museum to seek to reach an agreement with the Greek Government on the loan of the sculptures, as the British Museum is operationally independent from Government, as he knows with his long track record on this. But if they do reach an agreement, the Government would not stand in the way of such a loan.”

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  39. “We encourage local authorities to continue to work in partnership with key players in local arts ecosystems, such as Arts Council England, and make the most of the opportunities provided by the mayoral strategic authorities to deliver strategically for culture in their areas. Furthermore, the Government are providing substantial financial support to local governments, committing an additional £3.4 billion in grant funding by 2028-29. That commitment is underpinned by the creative industries sector plan, which includes a £150 million creative places growth fund to support it.”

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  40. “The hon. Gentleman raises a very good point. Our museum renewal fund, worth £20 million, is supporting three museum groups in Oxfordshire, including Vale and Downland Museum in his constituency. Our new museum transformation programme, a 5% funding uplift for the ACE national portfolio organisation and the museum development network will further support the museum sector in 2026-27. Museums in difficulty are encouraged to reach out to Arts Council England, which can provide guidance and support. I encourage the hon. Gentleman to consider the town of culture competition, which has been very popular with Members across this Chamber, to see if he can get more funding in that way.”

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  41. “I thank the hon. Member for being a wonderful champion for Stafford and for culture and arts in Stafford. In February, we announced £1.5 billion over this Parliament for the arts everywhere fund, which is broken down to make sure that we can support infrastructure in every part of the country. The Secretary of State’s and Department’s commitment is to make sure that there is arts and culture everywhere for everyone, and the Department will do everything we possibly can to make sure that gets to Stafford.”

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  42. “It is not just about building homes and economic drivers; it is about building cultural and heritage communities as well. It is fantastic to see so many infrastructure projects taking shape across Cambridgeshire and Cambridge this year. Cambridge already has a fantastic cultural offer, with Arts Council England’s national portfolio programme already supporting organisations like the New International Encounter and Oblique Arts, both of which work with communities across the region. I encourage my hon. Friend to ask all of his cultural organisations to look at the £1.5 billion Arts Everywhere fund—that record funding was announced last month—and maybe the city or town of culture programme.”

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  43. “I commend my hon. Friend’s campaign for Newcastle’s swing bridge in its 150th anniversary year. I know the Minister for Heritage, who sits in the other place, has been dealing closely with her on those issues. I understand that Newcastle city council is leading a feasibility study on returning the bridge to full operation, which should help us to understand if and how this magnificent grade II listed building and scheduled monument can be brought back to life. I share my hon. Friend’s aspiration to allow the bridge to swing.”

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  44. “I thank the British Museum for working so hard to enable this exhibition, and for its generosity in loaning the Sutton Hoo treasures, the Lewis chess pieces and more than 220 drawings by Renaissance masters from its collection to museums in Caen and Rouen in Normandy for displays in 2027 to coincide with the celebration of the year of the Normans, marking 1,000 years since the birth of William the Conqueror. I am not sure if the hon. Member for Strangford (Jim Shannon) remembers the birth of William the Conqueror.”

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  45. “I also pay tribute to the hard work and commitment of the UK Government’s envoy on the tapestry, Lord Ricketts, and his French counterpart, Philippe Bélaval. I thank all the people who are making this loan possible, including the French Ambassador to the UK, the President of the Normandy region, the Mayors of Bayeux, Rouen, and Caen, as well as senior figures in the regional cultural authority and, of course, colleagues at the British Museum. The Bayeux tapestry will be on display at the British Museum from September 2026 through to July 2027.”

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  46. “We must celebrate that and get the most out of it, as hon. Members have said. I start by paying tribute, as my hon. Friend did, to the director of the Bayeux Museum, Monsieur Antoine Verney, who sadly passed away just two weeks ago, and extend our heartfelt sympathies to his family and to his colleagues. His contribution over the years to promoting knowledge of the tapestry and sharing it widely, including with colleagues in the British Museum, is a lasting legacy that we must honour and build upon when the tapestry arrives here this year. I extend my gratitude, on behalf of the UK Government, to our friends on the French side, who are doing so much to enable the loan, including President Macron, of course, and the Minister of Culture, Rachida Dati. Their role in supporting this loan has been crucial to making it happen.”

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  47. “I am pleased to respond to this debate. I congratulate my hon. Friend the Member for Hastings and Rye (Helena Dollimore) not only on securing this debate, but on her lovely speech. I noticed that she did a little bit of lobbying for Hastings to become the town of culture, and I am sure my officials noted that. This will be the first time since the Bayeux tapestry left the UK over 900 years ago that it returns. It is a very important moment. I was reflecting that perhaps the modern battle is between the hon. Member for Bexhill and Battle (Dr Mullan) and my hon. Friend the Member for Hastings and Rye on where the battle actually took place. Perhaps there will be a tapestry made of that particular battle in the years to come. The tapestry coming to the UK is more than a once-in-a-lifetime opportunity—it is a once-in-a-millennium opportunity.”

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  48. “I have been assured by the British Museum that schools in her area will receive priority booking, reflecting the salience of the area to the events of 1066, and the huge local interest. I understand that she, together with the British Museum, is working with Southeastern Railway to offer at least 1,066 tickets, at heavily reduced rates, to London to schools in 1066 country.”

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  49. “The north of England also has historic connections to the Norman conquest—they are not necessarily exactly positive—due to the harrying of the north carried out by William the Conqueror. We can all agree that the battle of Hastings, depicted on the tapestry, is of critical importance to the history of us all. I congratulate my hon. Friend the Member for Hastings and Rye on her tenacious campaigning for her constituents, particularly in the educational field, and seeking to ensure that schoolchildren in her constituency and neighbouring constituencies are able to see the exhibition and understand the significance of the area that they live in to the history of our country.”

    House of Commons25 February 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗

  50. “The tapestry is unique, and care of it is underpinned by expertise on both sides of the channel. Concern has been expressed in some quarters about whether the tapestry will be able to travel safely. I am pleased to say that the British Museum is working closely with its French counterparts, and is bringing its world-leading expertise to bear to ensure that the tapestry can travel here safely for this unprecedented loan and be seen by as many people as possible. That is key. I understand that many areas of the country claim close links with the Norman conquest, so many Members of this House would claim a special interest in this area, including those from where the Bayeux tapestry seems likely to have been made, Canterbury.”

    House of Commons25 February 2026Contains Parliamentary information licensed under the Open Parliament Licence v3.0Source ↗