Dame Caroline Dinenage
MP for Gosport · Conservative · United Kingdom
“I pay tribute to my right hon. Friend for the fantastic work that he did as shadow Secretary of State for Health and Social Care, and he is absolutely right. We really need the full response to the Fuller report in order to implement not only changes to mortuaries, but all the other amendments that it recommended.”
“I will speak about new clause 41, which stands in my name. We put enormous, unquestioning trust in those who care for the bodies of our loved ones when they die. However, in this Chamber six months ago, I told a former Health Minister, the hon.”
“Both new clauses would fix the same issue, and either will do. The key thing is that this is a moment for the Government to seize, not resist. Ministers have already said that, in principle, they agree with what new clause 41 would require of them. Every trade body agrees. Every family who has been failed agrees.”
“It was only persistence and ingenuity on the part of Hampshire constabulary that saw Elkin and Bell brought to justice. The Minister at the time told me that a decision on regulation would come in the Government’s full answer to the Fuller inquiry, and we are still awaiting. Since then, matters have worsened.”
“I also warmly welcome this announcement. The sheer number of young people whose lives have been impacted by this issue is a damning indictment of a collective failure to keep children safe. Let us not forget that major tech companies have the capability to implement device-level controls but have chosen not to do so.”
“I genuinely could not agree more. This is not at attack on the profession. The vast majority of funeral directors do their job with extraordinary skill, great care and huge professional integrity.”
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“Since the Budget, I have received messages from individuals who have already seen the cost of care going through the roof. One wrote to me: “Directly due to the increases in Employers National Insurance contributions the Chancellor has managed to cause an increase of 7.8% in my brother’s care home fees that are already north of £8000 a month… I shudder to think of the overall cost nationally of this increase across all those with relatives and loved ones in care.” I also want to talk about early years settings. Early years providers are facing a squeeze that many just will not be able to stomach. Just as care settings have their revenue dictated by local government, nurseries are limited by childcare ratios and the fees they get from their local authority for their 30 hours’ free childcare.”
“This business is particularly vulnerable because a very large proportion of its bed spaces are occupied by local authority patients. Its costs are going to go up by 12% this year, driven mostly by changes to the minimum wage and this jobs tax—the national insurance contributions change—on his 75 members of staff. The council, which is having difficulties of its own, can provide only a 4% uplift to cover it. Quite simply, this an existential threat to his business, and he is not alone. It is the elderly, the vulnerable, disabled people and their families who are going to pay the price, and we know that these costs will go to those having to foot the bill. If people are not privately funded, some nursing homes will be forced to hand back their local authority contracts and increase the proportion of beds commissioned privately.”
“That would be an excellent decision, and I am sure the Naomi House children’s hospice and Jacksplace, which do so much invaluable work to support families going through the most unspeakable difficulties in my area, would advocate for that. I want to talk about childcare settings, which ensure that our smallest but most cherished family members are cared for and given the very best possible start in life. It is incomprehensible that the Government have taken this decision to imperil some of the businesses and services that our constituents most rely on—nursing homes, for example. The owner of one nursing home, with 35 years of service in the Gosport constituency, told me that the tax rises in the Budget will add £90,000 on top of its annual costs.”
“My right hon. Friend is making some excellent points. Does she agree that it also shows a deep lack of understanding by the Labour party of the way our communities are constructed and the organisations we rely on so much to keep them going?”
“Like the Secretary of State, I was elected in 2010, and I need to tell her that our recollections differ. When I came into this role, after 13 years of Labour government, 7.5% of young people in the Gosport constituency were not in education, employment or training. That number was down to 3% last year. Since Labour has taken office, 83,000 more people across this country of working age are now unemployed. Businesses in the sectors that take on so many young people across our constituencies, from adult social care to childcare to hair and beauty, are telling me that they are not taking on more staff as a result of her Chancellor’s changes to national insurance contributions. Surely the two are mutually incompatible.”
“The Secretary of State is right: the video games industry is a great British success story. It contributes £6 billion a year to our economy and 73,000 jobs, many of which are outside London, from Dundee to Brighton—it really is right across our nations. However, there are growing concerns that the UK is losing its competitive edge. Our tax relief rates have dropped below those of Ireland, France, Australia and Canada—all our biggest competitors in this sector. What is the Secretary of State doing to really push the Treasury to ensure that our video games expenditure credits and everything else are up to date so that we retain our competitive edge in this vital sector?”
“How confident is the Secretary of State that the board is providing the necessary challenge to executives to maintain that due diligence and to maintain the trust in the organisation?”
“The BBC has definitely got questions to answer here, not just on the dealings over this film but on the wider concerns about the representation and reporting of the Gaza conflict. As the Secretary of State said, Hamas are a proscribed terrorist organisation yet they are referred to as such in just 7.7% of instances of reporting by the BBC. It took four days after broadcast for this programme to be taken off iPlayer, and at that point the BBC said there had to be further due diligence with the production company. It is not the first time that the BBC has had issues with its due diligence, but in subject matters as sensitive and incendiary as this, language matters, and treating issues like this with detail, sensitivity and impartiality matters especially. The BBC board is meeting today.”
“Gosport welcomed over 300 Ukrainians to our area, and a few weeks after we signed up to the Homes for Ukraine scheme, my family and I were boosted by two women. They are still with us, and I now refer to them as my Ukrainian wife and my Ukrainian daughter. They and many others have been in the UK for almost three years.”
“He set the pace for other European countries to follow, and he had the backing of the British people, who care about this. We care about this in my area of Gosport because we have skin in the game. It is an area with a very proud history of serving our armed forces, particularly the Royal Navy. It was so typical of the generosity of spirit of Gosport people that so many Ukrainians made Gosport their home. I must declare an interest, because one of those homes was, and still is, mine. I saw the Russian tanks rolling into Donbas and towards Kyiv, and I could not stand by and do nothing, so my husband and I joined the Homes for Ukraine scheme. I have never spoken publicly about that before.”
“It shows beyond doubt—a cautionary tale for others who may be thinking of invading a sovereign nation—how far people will go and how hard they will fight for their friends, neighbours and families, and how desperately they will defend their homeland, independence, language and identity. We should all take a moment to reflect on that, and we should pay tribute to them for their incredible bravery. I also pay tribute to the British people, who have reacted to this dreadful situation with so much warmth, and of course to the Government. Our Government and the Opposition were united, and we acted very swiftly in the first days of the unprovoked and illegal invasion. Prime Minister Johnson led from the front in his defence of Ukraine, and of the Ukrainians’ right to sovereignty and independence.”
“I thank my right hon. Friend the Member for Chingford and Woodford Green (Sir Iain Duncan Smith) for calling this debate. I was very pleased to support his application to the Backbench Business Committee. Before I start the speech that I have written, I want to say something about the Ukrainian people. No one, least of all Vladimir Putin when he launched his illegal invasion three years ago, understood what they were taking on with the Ukrainian people. With their spirit, ingenuity and incredible ability to innovate and make the most of every single asset at their disposal, they have faced up to a new form of warfare. At the same time, they have faced not only the old school of tanks, trenches and almost hand-to-hand combat but the high tech of drones, digital and modern equipment.”
“UNESCO says that almost 500 cultural sites have also been lost as a result of Russia’s attempt to erase Ukrainian heritage, and so many of the communities that Ukrainians have fled just will not be the same. They will not have anything to go back to, and they will miss the familiar landmarks, meeting places and, most importantly and most sadly, the people they wanted to go back to.”
“It is almost as if the hon. Member had read what I wrote on my bit of paper. It is miraculous. I want to know her lottery numbers for next week. She is exactly right. My own Ukrainian family —and I call them family, because they are now part of my family—have made lives for themselves in this country, and they have become an asset to our community. In the event of a sustainable peace deal, Ukraine will of course want and need its brightest and best to return to rebuild the country, but so many of them simply do not have anything to go back to, such is the devastation that has been wrought by Russia in destroying 167,000 civilian buildings.”
“To conclude, contrary to the messaging coming out of the Munich security conference, there are values that we all share as European countries, which we must now pay to defend. However, we must not just use words; we must show action and we must show solidarity. I suppose I want to give the Minister, who I know cares about this very deeply, the opportunity to affirm the Government’s commitment that, as the geopolitical weathers change, our dedication as a nation—and as a Government and an Opposition—to Ukraine, its incredible and indefatigable people, and their democratically elected President, will never waver.”
“Yes, that is very welcome. A lot of people from the Ukrainian community want certainty about what to expect and about the security of the world around them. To follow on from an earlier comment, we hear a lot about planning for the war, but I want to know a little more about the Government’s planning for the peace and working towards a day when many Ukrainians will be able to return to their home country. What about those here under the scheme who have made homes, relationships and jobs here and are contributing to the economies and communities in which they live? Will they be able to stay indefinitely? People are beginning to ask that question, and as much as we understand that Ukraine will want its brightest and best back, there are some who simply do not have anything to go back to.”
“We cannot give up the fight to make the digital world a more pleasant and user-friendly place. We must never forget that if internet companies were doing what they say they are to implement their own terms and conditions, this legislation would not even be necessary, and the Government need to hold them to account.”
“In the light of this increasingly agile, polarising and inventive online world, I am concerned by reports in the media that the Government have decided to put the drive to keep protections up to date with tech developments on ice. There are reports in The Telegraph that Elon Musk is pushing for the Act to be watered down as part of a bargain to avoid trade tariffs. We are all looking for reassurance that, after so many years of work on this legislation by so many people, the Government will not water down or somehow filter its protections. The Government have acknowledged that there has been an increase in suicides among young people, with suicide-related internet use found in 26% of deaths in under-20s. They made a manifesto commitment to build on this Act, and they must not row back on that.”
“I am glad that since the Act was passed in October 2023, Ofcom has worked at pace to bring forward codes on areas such as children’s safety duties, illegal harms and age assurance, which will have a massive and tangible impact. Ofcom intends to consult on further proposals to strengthen the codes this spring, and it is really important that that focuses on the issues we are seeing, such as hash-matching for terrorist and intimate image abuse content. That is particularly important considering the emergence of deepfakes as the new front in the war against women and girls—99% of pornographic images and deepfakes are of women.”
“Every day that Ofcom does not enforce its age assurance requirements for porn providers and illegal harms codes is a day that young children across the country are at serious risk of having their childhood stolen. The Online Safety Act was a complicated and groundbreaking piece of legislation. No other Government in the world at the time had attempted to regulate the internet so effectively. I was pleased that when the Bill came back from the House of Lords, it was not just the size of the platforms that was taken into account when deciding the category of service, but the level of risk they represented, which is also really important. It is important to recognise that other countries and the EU have legislated while we have refined, and now we need to act.”
“In the meantime, virtually every Minister who has held the baton for this issue, including myself for a couple of years, has used this piece of legislation as almost a silver bullet for every harm that is encountered in the online world. I have often said that if ever there was a piece of legislation for which the phrase, “We mustn’t let the perfect be the enemy of the good” was invented, it is this one. We now need to hit the ground running and ensure that the legislation is implemented fast and effectively, in line with the sentiment that gave rise to it, as my right hon. and learned Friend the Member for Kenilworth and Southam suggested.”
“It is a pleasure to serve under your chairmanship, Mr Stringer. I congratulate my right hon. and learned Friend the Member for Kenilworth and Southam (Sir Jeremy Wright) on securing this vital debate. When he introduced the online safety White Paper in 2019, it was because we could not rely on big tech to regulate what was hosted on their platforms; it simply wasn’t working. Under the previous Government, we saw the tragic death of Molly Russell in 2017 and the complete failure of tech firms to adequately police illegal content on their sites, let alone the lawful but awful content that was being fed to our children from dawn till dusk. Here we are, six years later, to discuss how the Online Safety Act is being implemented.”
“Sophie had a wish list of things that she wanted to achieve before she died, including cooking with Gordon Ramsay and wearing high-heeled shoes, but she also wanted to meaningfully change the way we detect, treat and care for children with cancer. Does the Minister agree that the taskforce is a great step in that direction?”
“The Minister is absolutely right to focus on this. I warmly welcome the reinstatement of the children and young people’s cancer taskforce. I take this opportunity to pay tribute to my constituent Charlotte Fairall, who was pivotal in the work to bring the taskforce together in the first place. Charlotte’s daughter Sophie died of rhabdomyosarcoma when she was just 10 years old. I know the Minister met Charlotte to discuss this issue. Unfortunately, Sophie is not alone—around 500 children and young people die of cancer every year in the UK. It is the biggest cause of death by illness of children under the age of 14.”
“I am sure the hon. Lady would also recognise that there will be sites in her constituency and beyond that were saved during the pandemic by the actions of the then Government. Some £1.57 billion in the culture recovery fund protected cultural venues up and down the country from what was potentially an existential crisis.”
“The launch of the Soft Power Council, as a collaboration between DCMS and the FCDO, has been welcomed by the creative industries. I say welcomed, but I should say tentatively welcomed. Alongside warm words, the sector also needs to see the Government walk the walk if they are really to harness the global super power of our creative industries, whether by cutting red tape, establishing bilateral cultural agreements that enable our creatives to tour the world, or looking at how we pitch Government intervention to ensure the world continues to invest here. With that in mind, I am concerned that the breadth of the creative industries is under-represented on the council. Fashion, design, video games and, apart from music, most of the performing arts are missing, despite their immense popularity and international influence.”
“I am sure the Minister was not impervious to the brat summer that we all went through last year, reflected in Charli XCX’s five Brit award nominations. This year, we will have the inaugural South by Southwest London event and the World Design Congress, which will be taking place here for the first time in more than 50 years. Our creative industries are remarkable and they have an immense soft power value. I welcome the Department for Culture, Media and Sport and the Foreign, Commonwealth and Development Office working together to increase the UK’s influence abroad. As ever, the Culture, Media and Sport Committee is a trailblazer, working with the Foreign Affairs Committee and the International Development Committee last year to look at the BBC World Service and its future. Ministers can expect to see the results very soon.”
“I am delighted to have the opportunity to talk about our world-leading creative industries. I listened very carefully to everything the Minister said, and there was a lot of it. I love his undoubted passion for these sectors, and I love the understanding he has for them and the really strong rhetoric he puts into his support for them. I just hope and pray that it is contagious, and that he has the energy to ensure that it delivers a real, meaningful and robust commitment from the Government that turns into action on behalf of these sectors. There is so much we can be proud of. In the past couple of weeks we have seen Oscar nominations for Felicity Jones, Cynthia Erivo, Ralph Fiennes and everyone’s favourite, “Wallace and Gromit”.”
“Can the Minister confirm that they will have a voice when the final decisions are made? If they are not, as he says, to be the cherry on the cake, they will need that seat at the table. I do not want to end my speech on a pessimistic note. There is much to be optimistic about for our creative industries; they are the envy of the world on virtually every front. The Minister loves a song quotation, and it is almost as if the top three songs of all time, according to Rolling Stone magazine, could provide the backdrop for him and his role right now. Do you know what they are, Madam Deputy Speaker? “A Change is Gonna Come”, but the Minister needs to “Fight the Power” and give our creative industries what they deserve: “Respect”.”
“First, if the Government are determined to go down the opt-out route, any opt-out must be tightly defined and enforced, so that developers cannot wilfully disapply it or plead ignorance. Secondly, any technical solution that protects rights must be adequately future-proofed, so that creators and developers do not simply end up in an arms race to find new ways to stop those who are hoovering up copyrighted works. May I also ask the Minister to address two questions? I have always said that AI should provide the solution to AI, and that is what we all hope will happen, but what if a suitable technical solution that protects rights is not found? Do we stick to the status quo, and keep the onus on AI developers to follow the law? It is notable that the creative industries are not represented on the Science and Technology Cabinet Committee.”
“The fact that unscrupulous developers are not seeking permission from rights holders does not mean that we should bend the system in their favour. Our world-leading creative industries have made it clear that the European Union’s opt-out model, which the Government’s consultation favours, does not work. They say that there is no existing technical protection measure that allows rights holders to easily protect their content from scraping, and web bots take advantage of that unworkable system to copy protected works, bypassing inadequate technology and the unclear copyright exception. Put simply, the EU opt-out system creates an even greyer area. I know the Minister does not agree with me on that, but may I ask him to agree with me on just two points?”
“The Minister said so himself: he said that they never abide by the straitjacket of conformity. The aim is a system that is transparent, as he said, but with licensing arrangements that protect intellectual property. The Government’s consultation paper says there is a “lack of clarity” in the regime, but the people I speak to tell me that the situation is perfectly clear, and that the large Al developers cannot legally use it to their advantage. Instead, the Government’s proposals move the onus on to creators to protect their work, rather than Al developers having to seek permission to use it. This is known as the opt-out. We have the opt-in, the opt-out, the opt-in, the opt-out—it is the legislative equivalent of the hokey-cokey.”
“The Secretary of State for Science, Innovation and Technology has claimed that I do not understand the idea of consultations, and the Minister has claimed that I do not understand the detail of this consultation. I am beginning to feel a bit gaslit by it all, but I know that the Science Secretary is not saying the same thing to the creative industries, because I am told that he is refusing to meet them at all. I wonder whether the Minister is telling the creative industries that they do not understand the detail—because everyone I have spoken to in the sector seems to understand the detail perfectly, and they do not like it. This is not about pitting the creative industries against Al. This is not a luddite sector; the creative industries use Al to great effect, and are always at the forefront of embracing innovation.”
“I know that the Minister enjoys a bit of theatrics, so while I was at the National Theatre, I wondered which of its productions reflected him best. There is “The Importance of Being Earnest”; one review of the current production noted “just the right amount of delightful mischief.” There is “Nye”, the story of a hugely influential Welsh politician taking policies through against enormous opposition. But then I realised that we needed to go back a bit further, to the smash hit “One Man, Two Guvnors”, because the Minister finds himself working for both the Science Secretary and the Culture Secretary. Our story begins as he tries to justify the Government’s proposals on artificial intelligence and copyright.”
“First, as he said, our creative industries generate more for our economy than aerospace, oil and gas and renewables combined, and they need a robust industrial strategy to match their firepower. Without investment, there is no innovation. The National Theatre, for example, is as much a totemic British export as BAE or Rolls-Royce. “National Theatre at Home” has brought productions to new audiences across the United Kingdom and, indeed, the world. However, few in the sector have the funds for such projects, and I hope that the Minister will consider the report’s recommendation of an innovation fund, which could drive growth. Secondly, UK Research and Innovation, which the Minister also mentioned, exists to foster research and innovation, yet the creative arts are wildly under-represented, given their gross valued added.”
“I am delighted by the Minister’s commitment to our grassroots music venues levy, and for the signal that he will be willing to act if a voluntary solution is not working out. The establishment of the LIVE Trust is a step in the right direction, and I hope that more will be done to include artists and independent promoters in the conversations about where the money will go and how it is distributed. May I ask the Minister to give us an update in his closing speech? Let me continue my whistlestop tour of the creative industries and the performing arts. Last week, the National Theatre launched its “Scene Change” report, which highlights the willingness of the performing arts to innovate in their business models. I am sure that the Minister will look carefully at its recommendations, but I want to pull out two key points.”
“The shift from broadcast to online advertising is not new, but we must ensure that broadcasters are not left disadvantaged by outdated competition rules. I want to make sure that the creative industries are delivering for their employers and contractors. CIISA, the Creative Industries Independent Standards Authority, under the brilliant stewardship of Jen Smith and Baroness Kennedy, is at a critical point as it concludes its consultation on standards today. It concerns me that while some parts of the creative industries make positive noises about CIISA, in reality they do not lean in, and other organisations —especially those with headquarters abroad—are reluctant to engage at all. I know that the Minister cares about this, but if we are to recruit and, critically, retain talented people, there must be no hiding place for bad behaviour.”
“When it comes to British stories from across our isles, we cannot overlook the value of our PSBs and the challenges that they face owing to competition from international streamers and changing audience behaviour. The uniquely British flavour of PSB productions such as “Fleabag”, “Derry Girls” and “Peaky Blinders” makes them some of our most popular and enduring exports, but it is no exaggeration to say that they are facing an existential challenge. Over the coming months we will hear from the leadership of the BBC, Channel 4 and Ofcom about the BBC charter review, the implementation of the Media Act 2024, and the wider challenges that they face. We will also want to discuss advertising with them and with other broadcasters.”
“Jane Featherstone, the producer of “Black Doves” and other massive hits such as “Broadchurch” and “Chernobyl”, told our Committee that the PSBs were being “priced out” of making high-end drama, which means that British stories for British audiences are at risk, as are the training grounds for the next generation of talent. We talk so much about the importance of creative education, but if we do not have the jobs for those young people to come into when they leave school, we are selling the next generation a dream. I know that the Minister and the Secretary of State value the telling of British stories, so the Minister can expect us to press him on that tomorrow.”
“Peter Kosminsky, the director of “The Mirror and the Light”, told us that every streamer turned down the option to take up the show, despite the awards, the critical success and the acclaim for that first series of “Wolf Hall”. In fact, the only possible way to make it was for the producer, the writer, the director and the leading star to give up a significant proportion of their fees. It is unimaginable—is it not?—but it is not unique. The Producers Alliance for Cinema and Television, charmingly known as PACT, has warned that 15 green-lit dramas are stuck unmade because the financial contribution that a public service broadcaster can offer, together with sales advance and UK tax breaks, simply is not enough to compete with the current inflated cost environment.”
“We may be here for a long time if the Minister answers every question that I am going to ask over the next few minutes, but let us have a go. We in the Select Committee are very excited, because tomorrow the Minister will be appearing before us for the final episode of a very long-running inquiry into film and high-end television. I do not want to give away too much—no spoilers, Madam Deputy Speaker—but I would like to share with the House evidence that we received recently. Everyone will have had a different TV highlight over Christmas, but two massive hits were undoubtedly “The Mirror and the Light” on the BBC and “Black Doves” on Netflix.”
“I am sure that the Secretary of State agrees that our Royal Navy and RFA are the best in the world. They need to be equipped with the vessels and crew to do their job and address threats such as those I am grateful to him for articulating. He will know that Portsmouth harbour, which Gosport sits opposite, is home to the six Type 45s that were commissioned without adequate propulsion units. Could he update us on the T-45 power improvement programme? Will it be sufficient for T-45s to be allowed to deploy with the upcoming carrier strike group? More broadly, what is he doing as part of the SDR to ensure that a significant and sufficient proportion of our naval personnel have seagoing liability?”
“In Gosport we are facing a massive increase in our housing numbers, and planners are putting in applications to build across the very last green spaces, in the strategic gap between Gosport and Fareham, which already has air quality issues and overstretched local infrastructure. We do have an abundance of disused military sites, however, so what priority is the Minister giving to encourage development on brownfield sites rather than eating up the last remaining green fields in areas such as Gosport, which are already overdeveloped?”
“I am grateful for the Minister’s commitment to the issue. He will know that it was the cornerstone of the Select Committee’s work on grassroots music venues, and he also knows that our music ecosystem is very finely balanced. Grassroots venues are still shutting at an alarming rate, and not one of the top 10 best-selling songs of 2024 was from a British artist. Will the Minister look again at another of our report’s recommendations: the recommendation for a fan-led review of music? Will he ensure that we include the voices of artists and managers, as well as venues and promoters, in discussions on funding for grassroots music venues from, for example, the new LIVE—Live music Industry Venues and Entertainment—Trust?”
“The point is that we need to be able to articulate questions on behalf of our constituents and on behalf of sectors that contribute so much to the UK economy, and receive a response that has dignity and respect at its heart. I am sure the Leader of the House agrees that this place should be no place for mansplaining.”
“Could the Leader of the House use her great influence to improve the tone and quality of ministerial responses in this place? On Monday, the Secretary of State for Science, Innovation and Technology responded to the question I asked on behalf of the creative industries, which are very worried about the Government’s consultation on artificial intelligence and copyright, by telling me that I do not “understand the idea of a consultation.” —[ Official Report , 13 January 2025; Vol. 760, c. 55.] I hate to admit it, but I am long enough in the tooth to say that I genuinely do understand what a consultation is and how to recognise one that does not appear to be genuine and that has a foregone conclusion.”
“Among our greatest UK exports are our culture and our creative industries, so I am keen to hear what conversations the Foreign Secretary has had with international counterparts—not only to improve the opportunity for British artists to tour, particularly post Brexit, but to take advantage of the appetite for bilateral cultural agreements, which has been articulated by a number of our overseas counterparts.”
“The action plan calls for an AI sector champion in the creative industries, but what the Government really need is a creative industries champion. The Government’s copyright and AI consultation, which is so crucial for the creative industries, does not close until 25 February. One option on the table includes maintaining our current gold-standard copyright regime. Why does it seem that the Government have already made up their mind on that consultation? This plan heralds the reform of the UK text and data mining regime to be as least as competitive as the EU’s. This plan makes a nonsense of that consultation, does it not?”
“I welcome the Government’s putting music fans at the forefront of these consultations, although the Minister will know that I would like him to go further and have a full fan-led review of music. Meanwhile, looking at the details of these consultations, it is telling that while Ticketmaster welcomed the resale consultations, it is silent on the dynamic pricing issue. The Minister will recall that Oasis told their fans that dynamic pricing was a “tool to combat ticket touting”. Does he agree that if the Government act decisively to stop large-scale touting from inflating ticket prices, there will be less need for promoters such as Live Nation to have to use dynamic pricing?”
“Ultra-realistic deepfake porn is increasingly being used to target women, and I know the Government agree because they committed to criminalising it in their manifesto. For the sake of victims, intimate image abuse needs to be tackled without delay, so why on earth did the Government not back Baroness Owen’s Bill in the House of Lords to ban it last Friday? The Minister is a great talker; she talks a good game, but for the sake of women, when will she deliver?”