YouSaid · the spoken record

Chase Jarvis

lines on the record
122
first
2014-05-26
most recent
2014-05-26
sittings or episodes
1
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podcast

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  1. “Yeah, pleasure until I will pimp it. I'll share it far and wide as much as I can. Ciao. Bye, everybody. Thanks for staying late”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  2. “Record scratch. But there's so many. I got lots of embarrassing moments with it. I like being 10. Maybe I was eight. I don't know if that's too old to know. I should have known what's going on, or I have no idea what area jet was.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  3. “Full laid out swan dive, grab the flowers in front of 50 outstretched arms, pull it in, come sliding to a stop on the dance floor, hand in the air with the bouquet. Silence of 250 people like. And she had to do it again.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  4. “And then there's the bride at the front, and she has this flowers, and she's doing this thing. She's like, she's going like, what? It's a gigantic wedding. And I'm in the wings See if you can follow me on here She's going to throw that flower”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  5. “As it called him, an only child, so I'm just kind of cruising looking for some other, maybe let's say I'm 10, looking for some other 10-year-old girl to dance with or something, just cruising the wedding in my little tuxedo. And there's this commotion over in the dance floor. I'm probably misering the cake or something. There's a commotion on the dance floor. Like, what's going on over there? And I see there's this group of brides And then there's the, or sorry, a group of women.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  6. “You asked me to save you. In your text to me, I said, What do I need to do for Prep? You said nothing. Just save me if I need saving.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  7. “That is. You don't want to end the podcast quite yet because you said you were going to come back to a horrifying story that I had experienced. Oh my god.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  8. “And I feel it with Creative Live. Stakes start getting high. You're like, wow, this is going to be a big deal. That means now you're poking some hot spots. Awesome. I think that's an important takeaway. Now there are probably others.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  9. “Set yourself without sign out. These are other good titles. But sort of vulnerability, what is a place that you can come from that when you're vulnerable, you're actually showing strength.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  10. “That is a part of their experience when they have hired me as an artist in the past. So there's a value add there that being able to tell a story and talk about what it is that you're making is valuable. So rewind a little bit to go back, what would you do? I would focus on doing things that I know that I'm passionate about that I can do differently or better or more uniquely based on what's in here, not necessarily what's out there. Got to learn from out here and imitate and hack and steal. All those things that we do, but then as soon as you can start applying it to very personal sort of vulnerability, Brene Brown is going to be on my show, not on April 9th daring greatly. We're dropping a lot of good books now. And I remembered Mark Echo's book is How to Sell You Without Selling Out.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  11. “Absolutely. Yeah, I see how. Things the narrative plays in, and also that there is a narrative and that it's a compelling one. I think both those things are true for anything that you're sort of positioning or selling or creating. I want to know the backstory. I feel that is... Sort of It's an underappreciated art to be able to tell a good story. And that's another weird background thing on me is I was in a PhD program in philosophy of art. Southern had to talk really critically about art. And then you think of the learned skill of being able to talk about why I shot it like this.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  12. “Make things that no one else in the world can make because you're the product of a unique sort of life and trajectory. I've said it earlier in the podcast that everything is sort of a remix, but what is your version of the remix? And so, say I have relationships with a bunch of celebrities, so I might be able to get a photograph of them in a way that no one else could because they were on my couch playing PlayStation or something, in a way that you're not going to see that person. So that's a terrible example. I've got a lot of terrible examples in this year, but the point is thinking about what is the unique mojo that I bring and how can I try and amplify that, amplify your strengths rather than sort of fix your weaknesses, outsource.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  13. “I would go straight to, I think, again, assuming you get good at your craft and you get good at your craft through imitation and practice and hacking the system, taking it from 10,000 hours down to four, or whatever the system is, but let's just take it for granted that you're good at your craft. In the process of developing skills at the craft, I feel like the answers are actually in here. And What it is that we're all trying to do as entrepreneurs and our artists, I think, not all of us, I don't want to speak for everyone, but I think there's one of the differentiating characteristics, the zig instead of the zag, the how do you stand out in a loud, noisy world, is the answers are in here and trying to take pictures that no one else in the world can take and trying to”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  14. “It's great. You're meditating. You're staring up. I've been listening to you for the listening people. 20 minutes. I've not been listening to you. Tim is staring into space right now. He's not paying attention to us.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  15. “And again, but just not judging that. And it's without continue to talk about it because now it's getting weird because we're talking about it so much.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  16. “I try and sit in a comfortable chair flat on the floor, hands on my lap. There's a mantra that if you learn sort of TM, you're given a mantra. Say that word over and over. And if some thoughts come in, they're like, oh, there's those thoughts. Bye. And they go away and you just keep doing it over again. And then sometimes like, oh my God, that was 25 minutes. Sometimes it's like oh my god, that was one minute.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  17. “Or I try and do it before dinner sometime between work and dinner We're entrepreneurs. We work at Crazy long hours, so I'll take it whenever I can get it. And it's usually a little bit more, a little bit less gracious than my morning one. Like you said, it's sort of like morning is like, it's your time, you carve about 20 minutes. So my afternoon was often a little bit more piecemeal. But again, it's the act. I try not to judge the practice, the practice is the practice.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  18. “Afternoon is hard. Afternoon, I'm right now thinking of, okay, I got to go from here to the thing to thing and when I get my thing in.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  19. “And it's like magic. It's really weird. And there's another thing I don't know if you felt this, Tim, but it's sort of aggregates. So you get good benefit from one, two, three, four, and then when you're on a good, on a roll, there's this sort of exponential, there's a little overdrive that it's like, oh my gosh, I feel like I'm just floating.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  20. “But that sense of flow, it's when things sort of happen in slow motion. Now you're not literally talking in slow motion, but you have the same clarity as if You're going through life and everything's happening in slow motion. Instead of that, I'm hyper caffeinated. My boss is dodging bullets. Yeah, instead, you're just like, I'm driving the bus here. And we're going to go here, and then I'm going to do this. And there's just certain clarity.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  21. “About them before, but My meditation practice is not perfect and none are. I just sit down between 15 and 20 minutes twice a day sometimes I get one time a day sometimes those are a little compressed or they don't you know shit happens or you're on an airplane Captain comes on and pulls you out of it, or whatever. I make a conscious effort to just observe my thoughts and practice TM in the morning and the evening before dinner. And it has made, it's sort of the analogy that I can most simply put here. And your show is it's when you're in the zone, say playing sports or playing music, and things just seem effortless. It's called a flow state Stephen Kotler's new book, which is a good book, The Rise of Superman. Check that out. A little plug for his book about creativity and flow states.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  22. “Meditation. Oh, yes. We haven't talked about this in a while. Uh-huh. You were on it for a good bit and you said you fill out the wild.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  23. “It's an intention like should I go out and have one more cocktail with my buddies? Or I'm going to be more fresh if I go to sleep. Get some yopal I watch.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  24. “It was just a three. I know. There you go. I found sort of a new passion for sleep. I can ever, but I rarely get the 8, 9, 10. But if I get 7, 8, I have a completely different experience.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  25. “That's not to say. And these are, I feel like an old person saying this next one, which is sleep. I have lived on four to six hours sleep for the last 10 years. Yeah. And I go really hard, and then I will nosedive for 18 hours.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  26. “Having a Jim Morrison type career where you explode at 28 and a fiery ball is not cool. The Kirk Co bands, you know, the artists that have, well, we all know that magic 28 or 29, whatever that. Evil year is it's taken so many amazing artists from us, but that's not cool. Health and longevity and being able to To enjoy it Is fundamental. And until it's taken away, you don't actually have a couple of surgeries, you break yourself a little bit.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  27. “Yeah, total immersion, but my shoulders have been so bad, so I'm being really physically active going to see those guys, Dave, at least twice a week. Three times a week so that I can enable some of these passions of mine like surfing.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  28. “He recommended Dave Werner, who is basically an athletic trainer, former Navy SEAL in Seattle, and I've got terrible shoulders. I had a couple of blowouts from football and soccer. And so I've had reconstructive surgery, and they've never really quite been the same. But Kelly, from his knowledge base and Dave Werner up in Seattle, they have amazing approach to sort of physical therapy. And they're badasses. Mobility experts. And so I'm working from the ground up on rebuilding the small muscles in my shoulder instead of just doing the big stuff so that I can surf again because surfing is a big passion of mine for a long time and I can't really paddle out. You got me the swimming video you sent to me.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  29. “And they try to catch the horseshoes, or what happened? Oh no, horseshoe, but it's a totally random thing. I'm not like a big horseshoe guy.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  30. “Horseshoes. There's a horseshoe park by my house in the Green Lake area of Seattle randomly and it's lit so you can have a really intense work session and then after work or at Midnight, you can go to the horseshoes.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  31. “Good one. How about it, huh? So that's a big ginger and jack with no rocks. But the idea of introducing play, because we work very, very hard at Creative Live and as a creative Professional long hours A lot of stuff, a lot of balls in the air. And we've got investors, your asses on the line, so to speak, and just taking 30 minutes or an hour to try and find some way to play, to be active in a day. This is just incredibly helpful for me. So kudos to Charlie, wherever you are out there. What have you been doing?”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  32. “Play it away of the classic, like, I'm going to seize up when I get on camera. I keep a lot of balls in the air. I've got a brain that's whizzing at 3 in the morning. The idea of taking care of yourself and finding a way to play, Charlie's example is the home run derby heat.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  33. “And so for the people that don't have the ability to have money, they can get all of the same benefits. If you do have money and you prefer convenience, you just press buy. And so it's a beautiful business model that cultivates creativity, access, community, some of our sort of key values. Working too”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  34. “Entrepreneurship startup week. Sure, Guy Kawasaki, Reed Hoffman, yourself, there's Lewis Howes, Ramit Seti, there's all kinds of really great courses. And we bring those people on and film, like you said, in super high quality HD, usually between four and eight cameras and broadcast live while we're making this workshop. So instead of a TED talk that's like 15 or 18 minutes, this is one, two, or three days with that same quality person. So you go really deep on something. And if you tune in while it's live, it's completely free. Anyone can watch it. And if you do decide that you want to own the thing and watch it over and over obsessively, like people do with your Tim Ferris show. Then you have to buy it”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  35. “Sure, we bring world-class people in photography, filmmaking, design, any sort of the arts, audio, engineering, music, the maker movement, crafting.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  36. “Please keep smirking. Keep telling a story But a couple times in a row recently, whether you're in Nebraska or Nairobi, and I don't know where that came from. How about it?”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  37. “We want someone who's nice and smart and dashing though, so you won't be asked back. That being said, there's a passion for quality here for sure and a passion for education. So I have big goals there.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  38. “Huge, huge kudos to the team that produces this podcast for one, but all the work. There's been a ton of unless I'm going to get a call from the after. He's like, you know, boy, that studio just worked out really good. I got another one next week.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  39. “I'll go straight to Creative Live. I have huge aspirations to Creative Live. And we've already educated millions of people in every country around the world. And the hope is that by creating free education, that we can make the world a more creative and better place. It just so happens that there's a great business model behind it, which is a freemium one that anyone in the world can watch for free while the content is being created live and if you want to own a copy.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  40. “Definitely busy, and you can control it with price like, oh, it's just my prices have got out of hand because there's a high demand. And they're like, well, what are they? And then you drop. And they're like, oh, God. Then sometimes they'll say, okay, well, we can, you know, and then if you put a price tag out there that was totally absurd. And you may be willing to take a couple of gut punches to make that. But so understanding where your bread is buttered and what clients are ones that you enjoy working for. Again, keeping in mind that all of these things should ladder up to the big goals that we were talking about earlier. What do you want to be, do, what do you want to go? Or do you want to just walk in the woods?”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  41. “It is to steal Pareto's law At the end of every year, and I think this can be said for a lot of customers or client relationships, that you make 80% of your money from 20% of your clients. So start looking at what did that 20% look like and how can you find more people or more customers or more X. Like that, and when someone is a pain in the ass, when they call and they're a pain in the ass, or the last job they were pain in the ass. You basically fire them not in the middle of that job because you wouldn't want to harm your reputation. You do a kick-ass job, you finish all the way through, and then the next time they call, you are miraculously busy forever”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  42. “Saying no, we'll have to make them come back. See, I already forgot thing two and thing two. Wow, we didn't even get to two.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  43. “When they get more money, if you've turned them down before, they remember that you were that prize that they couldn't get. And when they do have more money, they are more likely to call you back if they liked your work. So being able to say no mean it. It's a little bit of a luxury too, so this is not like day one of photography starts saying no to everybody. Like, you got to hustle. But once you sort of are able to be choosy and think on principle, is this going to move my goals forward?”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  44. “Almost ever in the world, there's no reason to be a dick. So if I'm turning down works like, thank you so much for thinking of me. It's just not in line with the work I'm doing right now or the budgets aren't quite in line or my schedule is like whatever make a relationship be cordial, but there's this beautiful thing of if you are able to say no. Usually for a budgetary reason.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  45. “Okay, cool. So One is saying no has a strong effect on the person who's trying to buy something from you, hire something, and I absolutely frown on being a dick. There's no reason to be a dick.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  46. “I just love name them, but two things maybe three takeaways, and I'll see if I can remember them. Sometimes when I say three things, I can only remember two later.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  47. “If I want to be a rock climbing photographer, then I should say no to climbing trees. Because there's still climbing involved. So that might help my climbing skills. That's a terrible analogy. But there's a connection there, right? And it's not always like, oh, I only take rock climbing gigs.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  48. “What Did you start things that didn't ladder up to the things that I wanted to do? And there's not always a direct, like, if I want to”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  49. “But a life that has some sort of intention and without being a militant planner, because that's not my I think I have a nice balance. I know where I want to go and set some goals and plenty of failure built in there.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT

  50. “And you talk about the rebirth of the polymath That was inspirational to me and it helped me unlock a lot of that stuff. And I did so very intentionally. So what does a life look like where I get to do this and this and this? If you just sort of walk in the woods You're likely to just bump into some trees if you sort of have a plan. Well said. Yeah. Sort of sophisticated podcast you've got here too. The best and brightest. All right. And his third and final guest was Chase Jarvis. And then the podcast is Polt. Go bigger.”

    2014-05-26 · The Tim Ferriss Show · Episode 8: Chase Jarvis, Master Photographer · IDENTIFIED FROM THE TRANSCRIPT